Steve Vai: Kurt Cobain and Billie Joe Armstrong's playing is "virtuosic"

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When Kurt Cobain and Nirvana first unleashed Nevermind on the world, Steve Vai was coming off a stint in Whitesnake and recording insane electric guitar instrumentals like this.

So you could be forgiven for assuming a guy like Vai might not appreciate the playing of someone like Cobain. But you’d also, apparently, be wrong.

"Yes,” Vai replied. “Their intention. When the intention is strong, nothing will stop them. Kurt Cobain is a good example of that. He just did the music he wanted to do – that's what my take is on it.

"When I hear him and I hear that band, I don't know how much music theory or anything like that he knew, but he was able to develop enough technique to get his point across. He didn't have a virtuoso technique, but he didn't need it.

"You've got to keep in mind that his style of playing – those chords and the way he would arpeggiate chords and then go into that blasting kind of thing. All the years I spent practicing scales and virtuoso type riffs, he was locking onto these chords in a very connected way.”

"When you see that guy strumming chords, it's virtuosic in a sense because it sounds like an orchestra when he slams that guitar – every string has its own zip code, you know what I mean? Kurt was like that too,” Vai said.

"A lot of people might not look at him as a virtuoso but he had a connection with the thing he was doing. He found his comfort zone with his technique. Everyone is doing that.

"Everybody needs some kind of technique and they will naturally gravitate to the thing that is most appropriate for them – if they don't get too confused with what everyone in the outside world is telling them. They've got to trust their instincts."

Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.