Summer NAMM 2019: Gibson Announces New Vintage Reissue, Brite Wire and Acoustic String Collections

(Image credit: courtesy of Gibson)

Summer NAMM 2019: Gibson has announced three new ranges of guitar strings. The collections—Vintage Reissue, Brite Wire “Reinforced” and Acoustic—are “Factory Spec” and were developed and tested by Gibson’s master luthiers.

The Vintage Reissue strings are engineered to historic Fifties specifications and are constructed of nickel wrap and high-quality core wire. The Brite Wire "Reinforced" strings are precision-wound with a nickel-plated high strength carbon core, while the Acoustic strings are phosphor bronze-coated and promise high-frequency clarity, perfectly balanced tone and long-lasting performance.

Thank you for reading 5 articles this month**

Join now for unlimited access

US pricing $3.99 per month or $39.00 per year

UK pricing £2.99 per month or £29.00 per year

Europe pricing €3.49 per month or €34.00 per year

*Read 5 free articles per month without a subscription

Join now for unlimited access

Prices from £2.99/$3.99/€3.49

Rich is the co-author of the best-selling Nöthin' But a Good Time: The Uncensored History of the '80s Hard Rock Explosion. He is also a recording and performing musician, and a former editor of Guitar World magazine and executive editor of Guitar Aficionado magazine. He has authored several additional books, among them Kurt Cobain: Montage of Heck, the companion to the documentary of the same name.

Latest

Nik Hughes and Gavin Rossdale of Bush perform at the World Stage event ahead of the MTV EMAs 2024 held at New Century Hall on November 09, 2024 in Manchester, England

“I was in full fear that I had just repeated someone else’s song – it was way too accomplished for the kind of stuff I had been writing”: Gavin Rossdale remembers the moment he wrote Bush’s biggest hit – and thought he’d stolen it

See more latest ►

“There was a time you wouldn’t have touched a Superstrat, at least in my world – that was very illegal. It’s cool to be able to let go of those old feelings and those silly rules”: How Chris Shiflett learned to love his inner shredder

“The guitar can be your best friend one day and your rival the next – it keeps you on your toes”: London jazz ace Artie Zaitz on why the amp is your second instrument and how he learned to love mistakes

“This pickup could have come out of a late-’50s Gibson. If you had a guitar from that era with these pickups, everyone would be like, ‘Wow. That’s a badass-sounding Les Paul’”: How Adam “Nolly” Getgood and Bare Knuckle reinvented the P.A.F. for a new era

“From the first chord, we both thought, ‘Wow’ – I quit my band and moved to Denmark”: How husband-and-wife duo the Courettes became one of the most exciting bands in the garage-rock underground

“I won seven guitar contests in a row. When I went to enter again, they said, ‘No, don’t even enter – you’re going to judge the next one’”: Dimebag Darrell discusses his love of soloing – even when it was uncool – and dishes advice in his final interview

“I was having so much anxiety about getting a great sound that I wasn’t writing songs… I said, ‘I’m gonna stop thinking about it. This is going to be my sound’”: Tom Morello on his tone struggles and what he learned from teaching his son Roman how to play

“I have a Southern accent, and it’s the same on the guitar. I adapted the guitar to do the talking for me when I was too shy”: Marcus King on why your fretboard has its own language – and how mental health became his muse

“When we learn to improvise, the first thing we pay attention to is where to put our fingers… rarely do any of us pay attention to the rhythm of a melody or lick”: Can’t figure out why your improvised solos don’t feel right? Here’s how to fix them

“I played a 5-string with Lauryn Hill, but it didn’t feel like a real bass”: Raised on R&B, schooled by fusion, and empowered by punk rock, Bad Brains bassist Darryl Jenifer remains a 4-string purist

“Zoom discontinued that pedal because nobody bought it – but bass players are always coming up to me wanting to know how I got those sounds”: Remembering jazz great Victor Bailey, who used an unsung multi-FX pedal for his cover of Prince’s biggest hit

Proggy Pentatonic! How to Use the Good Ol’ Pentatonic Scale in Cool New Ways

Get The Pick Newsletter

Most Popular