Beetronics Vezzpa Octave Stinger review

More wasp than bee, this is an aggressive fuzz with a sting in its tail

Beetronics Vezzpa
(Image: © Future / Olly Curtis)

Guitar World Verdict

Distinctive sound and some nifty footswitching options to add emphasis in performance make this an innovative and characterful addition to your fuzz locker.


  • +

    Very compact size.

  • +

    Two distinctive sounds.

  • +

    Versatile footswitching action.


  • -

    Front-mounted knobs and glitchiness of Fuzzzz mode won’t suit everybody.

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Beetronics has a history of octave fuzz pedals with its standard series Octahive high-octave fuzz and Whoctahell low-octave fuzz. Now the California-based company has introduced an octave fuzz pedal into its Babee series of smaller-format pedals. 

A compact wedge-shaped pedal with its knobs on the front edge, the Vezzpa (crossing the species barrier to be named after a wasp) has an op-amp at the heart of the action and features two different sounds: Fuzzzz mode is the pedal’s standard fuzz, while Stinger adds an aggressive high octave. 

Beetronics Vezzpa

(Image credit: Beetronics)

The volume knob has plenty beyond unity gain if you need a bit of a boost when the pedal is kicked in, and the intensity of the effect is adjusted with the Sustain knob.

Fuzzzz mode gives you sputtery gated fuzz – it’s fat and sustain-y, but the gate cuts in more quickly at lower levels of the sustain knob and with lower guitar volume. This means you can roll your volume knob back for more staccato notes and sputter to a point that sounds like the pedal is about to die on you.

Stinger is something else again. You can turn your guitar volume down to achieve some faux sitar sounds, but it’s when it’s full-on that the high octave really sings out – especially so if you switch to your neck pickup and play up the neck. It offers an aggressively edgy sound, which you can expressively exploit with harmonics that take off as you sustain notes.

These are sounds that you can truly kick in for effect, something that can be exploited during live performances by the pedal’s hi-tech footswitching system. Besides normal one-click latching action, the pedal also provides a momentary action – as long as you hold the switch down, the effect will be active, and that’s great for bringing in that high octave for certain notes or passages.

In addition to that, when the effect is already engaged, a double-click will switch between the Fuzzzz and Stinger modes, while a hold will momentarily swap the modes. It’s easy to get the hang of the sharp switching needed, but if you’re not quite comfortable with this method then there’s a Lazy Bee mode for slower reactions.


  • PRICE: $199 / £215
  • TYPE: Octave fuzz pedal
  • FEATURES: True Bypass, 2x modes, smart footswitch, Lazy Bee and Fast Bee options for footswitching sharpness
  • CONTROLS: Volume, Sustain, Bypass footswitch
  • CONNECTIONS: Standard input, standard output
  • POWER: 9V DC adaptor (not supplied) 36mA
  • DIMENSIONS: 57 (w) x 114 (d) x 57mm (h)
  • CONTACT: Beetronics

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Trevor Curwen

Trevor Curwen has played guitar for several decades – he's also mimed it on the UK's Top of the Pops. Much of his working life, though, has been spent behind the mixing desk, during which time he has built up a solid collection of the guitars, amps and pedals needed to cover just about any studio session. He writes pedal reviews for Guitarist and has contributed to Total Guitar, MusicRadar and Future Music among others.