Guitar World Verdict
Yes, the Custom Nashville Stratocaster may be an amalgamation of two Fender top dogs, and while it certainly isn’t an entirely new species, it is an intriguing hybrid that more than delivers on playability and tone.
Pros
- +
The versatility is something else.
- +
The quality of the tones is persuasive.
- +
Very playable, with a slim, approachable neck.
- +
Cool, off-menu style.
Cons
- -
Not for the purists.
You can trust Guitar World
They’re here. Do not attempt to adjust your television set and do not panic. This gilded hybrid is not a creature from another world or an unexplained apparition; it’s merely the latest edition to the Squier Paranormal series.
Fender purists may want to look away now, as this otherworldly line of guitars twists tradition to conjure up a whole host of unique creations that will leave conformists shaking in their boots.
Viewing the Strat through the lens of a ’60s Custom Telecaster, this Nashville model opts for a double-cutaway body that keeps the bound edges, bridge, pickguard and control layout of the Tele while offering players the feel and tone of Fender’s ’54 icon.
The result is a striking guitar that is sure to divide the crowd. While we like the unorthodox styling, we must admit, this design benefits from an in-person viewing.
The chunky nature of the body leads to a comfortable guitar that sits as solid as a rock on our lap, while the slim neck – with 9.5” radius fingerboard – is every bit as playable as we’ve come to expect from Squier. In fact, we found it hard to put down. Straight out of the box, this glistening gold Strat was set up beautifully and would put some pricier six-strings to shame.
Now, while the look may not be to everyone’s taste, the sheer versatility may well win over players less enthused with its radical aesthetic. Loaded with a trio of Fender Alnico pickups – a Tele variant in the bridge and neck and a Strat single coil pickup sandwiched in between – this guitar would most definitely feel right at home in a hit-making studio in the heart of Music City.
We are happy to report that the bright Tele attack is more than present here, and when tuned to open G, this Strat perfectly nails those Keef-inspired chops. Of course, it does just as good a job of reproducing the famously smooth and sultry Strat tones from the likes of John Mayer and SRV.
As if that wasn’t enough, the Nashville Strat has a secret weapon hidden within the tone control. This push/pull knob will engage the neck pickup in positions one and two, giving you even more sonic options beyond that typically found on a Strat.
When stitching two models together, you can easily end up with a guitar that is a little confused and lacking its own identity – fortunately, this isn’t the case here.
Specs
- PRICE: $429 / £369
- BODY: Poplar
- Body Shape: Stratocaster
- NECK: Maple, bolt on C profile
- SCALE LENGTH: 25.5” / 139.70 mm
- FINGERBOARD: Laurel, 9.5” radius
- PICKUPS: Fender Designed Alnico Single-Coil
- CONTROLS: Master Volume, Master Tone (with Push/Pull)
- SWITCHING: 5-way switch
- FINISH OPTIONS: Chocolate 2-Color Sunburst and Aztec Gold (as reviewed)
- CONTACT: Fender
Daryl is a Senior Deals Writer at Guitar World, where he creates and maintains our 200+ buyer's guides, finds the best deals on guitar products, and tests the latest gear. His reviews have been featured in prominent publications like Total Guitar, Future Music magazine, and MusicRadar.com.
During his career, he has been lucky enough to talk to many of his musical heroes, having interviewed Slash and members of Sum 41, Foo Fighters, The Offspring, Feeder, Thrice, and more. In a past life, Daryl worked in music retail. For a little under a decade, he advised everyone from absolute beginners to seasoned pros on the right gear for their needs.
Daryl is also a fully qualified sound engineer, holding a first-class Bachelor's degree in Creative Sound Production from the University of Abertay.

“A lot of the misconceptions were created by Paul and Gene. They still say in interviews that they fired me, but I was never fired from Kiss”: Ace Frehley sets the record straight on his multiple departures from Kiss

“He would beat the crap out of the guitar. The result can best be described as Jackson Pollock trying to play like John Lee Hooker”: Aggressively bizarre, Captain Beefheart's Trout Mask Replica remains one of the craziest guitar-driven albums ever made

“I practice guitar ferociously”: Creedence Clearwater Revival's John Fogerty deploys Eddie Van Halen-style two-hand tapping on an Ibanez RG in unlikely guitar practice video