Latest about bluegrass
Molly Tuttle reveals her surprising guitar pick of choice which has helped shape her distinct bluegrass sound
The bluegrass virtuoso on why plectrum thickness matters – and her top tips for mastering improvisation
Martin joins forces with Billy Strings on two signature models inspired by his 1940 D-28
The bluegrass-coded models comprise the higher-end D-28 Billy Strings, and the more affordable D-X2E, both of which promise to deliver Strings' “distinctive sound, style, and electrifying energy”
The 1942 Martin D-18 that Lester Flatt used to forge the sound of bluegrass is going up for auction
Legendary fingerpicker Flatt wielded this D-18 while he played with Bill Monroe’s Blue Grass Boys, and used it to help pave the way for traditional bluegrass music
Molly Tuttle on bluegrass inclusivity and her search of speed, feel and acoustic guitar virtuosity
One of bluegrass's most gifted guitarists, Tuttle checks in to discuss the evolution of her style, and why it pays to subvert received wisdom and practice flat-out as fast as you can go
Bluegrass virtuoso Molly Tuttle on the differences between metal and bluegrass shredding
Tuttle also shares the key technique that aspiring bluegrass guitar players need to master before they get on a stage
Guthrie Trapp shares the picking hack that could help you play faster – and sound better
The Nashville guitar heavyweight first adopted the approach as a young guitarist after witnessing a mandolin player use it
Post Malone surprises Bonnaroo by calling up bluegrass virtuoso Billy Strings for a pyro-fuelled guest spot
Billy Strings joined Post Malone onstage for bluegrass-tinged renditions of two Malone hits
A Firebird-shaped electric mandolin headlines Epiphone’s new Bluegrass collection
Is it a Firebird, is it a mandolin? No, it’s the Mandobird
“I have these big meat hooks, so I can pick up a lot of wonderful guitars, but if I played them for two hours, I’d be cramping. I only have one guitar that I didn’t build”: Meet bluegrass-shredding luthier Dan Wetzel
The True North guitarist learned to pick by listening to vinyl and not seeing his heroes’ hands – then turned to building instruments because of the size of his own
“It’s a beautiful floating technique”: Watch Molly Tuttle and Tommy Emmanuel share the secrets of their right-hand technique and banjo-inspired rhythms in this acoustic guitar video masterclass
Two of the world's greatest acoustic guitar players talk shop, jam together, and tell us how open strings can be our best friend when playing improvised bluegrass
