Latest about fuzz pedals
“Faithful reproductions at a affordable prices”: Warm Audio Warm Bender and RingerBringer review
Warm Audio's latest hot plate of vintage-inspired effects pedals presents us with a three-circuit Tone Bender-style fuzz and an all-analog Moog-inspired ring mod – and an abundance of mojo for our 'boards
This pedal company was so inspired by an indie beer brew that it launched a companion fuzz
The two-stage, all-analog fuzz pedal is the latest in a growing line of gear-beer collabs
Gone Fishing Effects and Sergio Pizzorno serve up a dial-free psychedelic fuzz pedal
Gone Fishing Effects’ no-nonsense Sergery pedal packs “the perfect early ‘60s amp sound” and reverb in a tiny surgical steel box
“Rich-sounding driven sounds with flexible EQ options”: Walrus Audio Silt Harmonic Fuzz review
Walrus Audio puts a tube in a fuzz box for all to see, plus a special Harmonic octave mode, and invites you to dig into the Silt
Danelectro Nichols 1966 review
A pedal designed by a teenager in the Hollywood Hills back in 1966 has been revived for today’s players – and it's as versatile as it is unique
“An excellent fuzz for your ’board”: Beetronics Abelha Tropical Fuzz review
It’s designed for Brazilian tropicália music, but this fuzzbox from Beetronics could create a buzz in any musical genre
“The Beatles connection aside, this is an excellent fuzz pedal in its own right”: Aclam The Mocker review
Aclam revives a rare fuzz circuit from a vintage Vox amp used by The Beatles
“Much more versatility than you’d expect in a fuzz pedal of this lineage”: Flattley DG Fuzz review
The UK pedal builder releases an upgraded 1960s-style silicon fuzz with a buffer and extended tonal options
“This is a great utility pedal to have on your ’board, something that could really increase your sound’s scope”: Beetronics Nectar Tone Sweetener review
Beetronics’ latest will expand your pedalboard dirt options with drive and fuzz in one small pedal
“Cliff Burton’s secret weapon, modernized to grow his legacy”: Morley reissues Cliff Burton’s trademark wah fuzz pedal in tribute to the revolutionary Metallica bassist
Housing Burton’s signature “old-school ripped speaker” tone, as heard on For Whom the Bell Tolls, the reissue is enhanced with modern features including switchless activation and a glow-in-the-dark treadle
