Guitar Techniques
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What is “Dead thumb” fingerpicking? Jared James Nichols explains
By Jared James Nichols published
Jared James Nichols is a master of “Dead thumb” fingerpicking. The Blues Power fingerstylist explains how it gives the him freedom to cut loose
![[L-R] Joe Satriani wears dark shades and smiles as he solos on his Ibanez JS signature model; Ian Anderson strikes a pose as he plays the flute; Yngwie Malmsteen pulls his aviators down to give the camera some eye-contact in this portrait from 2019.](https://cdn.mos.cms.futurecdn.net/qpBDNvdaGjWXpBHjWdQG7S-320-80.jpg)
“Don’t turn into Yngwie Malmsteen or Joe Satriani”: Ian Anderson had some soloing advice for Jethro Tull’s new guitarist
By Jonathan Horsley published
No Arpeggios From Hell!? Denied! What the hopping flautist with the wild-eyed stare told Jack Clark when it came time to track leads for Jethro Tull's latest album, Curious Ruminant

Cory Wong reveals how to solo over chords in a meaningful way
By Cory Wong published
Wong explains how outlining notes in the chord progression helps find a solo that's melodically on-point and just what the song calls for

Pink Floyd session guitarist says Roger Waters was “resentful” of Eric Clapton
By Phil Weller published
The bassist had welcomed him into his band, but quickly discovered what his fanbase was like

Joe Bonamassa and Slash team up for blues classics in New York – but did their young special guests steal the show?
By Phil Weller published
The two guitar greats played a host of blues classics for charity, but two next-gen stars have made startling impressions

Steve Vai guests on the new Matteo Mancuso album – and he had one piece of advice for the young virtuoso
By Phil Weller published
We’ll have to wait a little longer to hear their track, but the record’s dazzling first single is ramping up the excitement

“Sometimes simplicity wins the day”: Joe Bonamassa on the art of writing a heavy guitar riff
By Joe Bonamassa published
In his latest GW video lesson, the blues-rock superstar recalls how some of his heaviest riffs came together, and to your shock – and maybe even horror – they were written in standard tuning

Demystifying chord names, starting with a Hendrix and SRV favorite, the maj9
By Richard Barrett published
A little knowledge with naming conventions goes a long way to understanding complex chords and how they might sound

Jared James Nichols on why playing in a trio opens up your soloing approaches
By Jared James Nichols published
Jimi Hendrix Experience, Cream, Mountain, Rush... Jared James Nichols argues that three is the magic number, allowing guitar players to stretch out and the band to feed off each other

“Albert King once advised Gary Moore to ‘play every other note’”: Why keeping it simple can improve your blues solos
By Richard Barrett published
Peter Green, George Harrison, Gary Moore, David Gilmour... These are just some of the players inspiring this lesson in stylistic restraint, all in the pursuit of the blues
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