Gargoyl's Dave Davidson: "I like to have some technicality to my solos, but for me it’s more of a storytelling element now" By Gregory Adams This multifaceted new band’s brooding songcraft has Revocation axeman Dave Davidson re-evaluating shred
That viral TikTok sea shanty has been transformed into a massive metal anthem By Matt Owen Social media shredder Andre Antune offers up an altogether heavier take on the viral tune
Kirk Hammett reveals his 3 favorite Metallica guitar solos By Matt Owen Find out which his solos make Kirk's cut
Guitar tutorial + Q&A: Grenade Jumper amp up the adrenaline with new punk gem "The Power You Flaunted" By Matt Doria We learn how some unexpectedly heavy influences led to this all-out banger.
Guitar playthrough + Q&A: Make Way For Man go balls-to-the-wall with the ripping "Rites" By Matt Doria See how guitarist Drew Shepherd tears through the Perth band's cataclysmic new single.
Sacha Dunable: “I don’t want to just be making clones – I want to be making guitars that are our own design” By Adam Kovac Sacha Dunable on balancing building guitars and building prog-metal worlds with Intronaut
Dave Mustaine, Matt Heafy, Mark Morton and Bjorn Gelotte on metal's ultimate tour By Richard Bienstock In this GW exclusive, the Megadeth, Trivium, Lamb of God and In Flames guitarists reveal their guitar rig secrets, key influences, and how they keep their playing on the cutting-edge of metal
Crown Lands' Kevin Comeau: "We were playing 20-minute instrumental songs about space whales at hardcore punk shows!" By Brad Angle Massive guitars, slide for days, Led Zep swagger and Sabbath riffs. Join Kevin Comeau on a trip into Crown Lands' sound...
Konvent's Sara Nørregaard: "I like to keep everything raw; having too many effects detracts from the power" By Mark McStea From doom metal to Squier Jagmasters to realizing dreams, the guitarist unpacks the Konvent story so far...
Phil Demmel on the joys of "four dudes jamming covers" in BPMD By Gregory Adams “I was a '70s kid, so these are all bands I loved and [that] really got me into heavy music," the former Machine Head guitarist says
Joe Goldman: “I use this piece-of-crap $25 guitar pedal that sounds like a rusted chisel for all the Code Orange stuff” By Hywel Davies The hardcore metal bassist reveals the origins of one of the most intimidating tones ever conceived
Lamb of God's Mark Morton and Willie Adler on creative kinship, staying power, and trading heavyweight riffs By Jeff Kitts One of the most formidable guitar tandems in metal unpack the story of their explosive new album, Lamb of God
This Black Dahlia Murder guitar playthrough showcases the very best of modern extreme metal By Sam Roche Guitarist Brandon Ellis shreds his way through the band's latest single, Verminous
Darkthrone's Nocturno Culto: "I would like Metallica to record on our equipment. What would they do to express themselves through that gear?" By Jonathan Horsley In this rare interview with the Darkthrone guitarist, Ted Skjellum muses on the Fender combo’s black-metal magic and why he doesn’t miss playing live…
How to tap like Eddie Van Halen, Randy Rhoads and Reb Beach By Martin Goulding Learn some tapping licks in the styles of three of the technique’s most celebrated practitioners
Randy Rhoads-Style Melodic Tapping Exercise Using Common Tones By Richard Rossicone Not only will this exercise get your fingers moving, but it will get your brain moving too.
Odd Couplings: More Approaches to Soloing in Odd Meters By Dave Davidson There’s something very cool about a sudden shift in the music that throws the listener for a moment, followed by a return to the groove.
How to Reinvent a Modal Melody by Changing Only One Note By Metal Mike Chlasciak Learn a simple, effective way to take any Aeolian line and change and mutate its character.
More Open-String Lick Ideas from Metallica's Kirk Hammett By Kirk Hammett In this classic GW lesson, Kirk Hammett demonstrates some lead ideas that use open-string notes.
Mastering the Modes of G Major with Three Notes Per String By Nita Strauss This approach offers an economical way to cover a lot of fretboard ground while broadening the availability of notes within a given position.
![Intronaut's Sacha Dunable [left] and Dave Timnick; Dunable sports a Dunable Asteroid and Timnick holds a Dunable Yeti.](https://cdn.mos.cms.futurecdn.net/CVjJEomLstPpDCcJSNWJwV-1024-80.jpg.webp)
