Metal
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Creating Riffs from Arpeggios, and the Intro and Verses to “Priestess”
By Mark Holcomb published
Walk the line between playing only single notes while also outlining “wide” chord voicings via the use of arpeggios.

Incorporating Jazz Chords Into Metal
By Dave Davidson published
Try introducing some jazz-type chord voicings and harmonies into your metal riffs.

A Clean Sweep: Running the Arpeggio Gauntlet
By Baron Taurean Helleshaar published
This lesson can provide you with a few patterns and ideas you can incorporate into your own solos and riffs.

How Guitarists Can Build Super-Human Legato Chops
By Metal Mike Chlasciak published
Get your fret-hand chops in shape and develop excellent fretboard “traction” with this lesson.

How to Play Fast Arpeggio-Based Licks Without Sweep Picking
By Marty Friedman published
Marty Friedman demonstrates some cool ways you can achieve the effect of fast arpeggio-based sounds while avoiding the predictability of standard sweep-picking licks.

Dave Davidson lesson: using your whammy bar within a riff
By Dave Davidson published
Use your whammy bar to “color” chord patterns and give single-note lines different and unusual textures.

Zakk Wylde Lesson: How to Link Minor Pentatonic Scale Patterns
By Zakk Wylde published
Link a few scale patterns together so you can start making full use of your guitar’s neck when you’re playing a lead.

Bridging the Chasm Between Scales and Arpeggios
By Baron Taurean Helleshaar published
This arpeggio concept can help separate you from the well-worn path many shredders tend to follow.
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