Latest about Mike Campbell
Danielle Haim on her guitarist-for-hire days with Julian Casablancas, I Quit energy and Haim’s historic Grammy nomination
From their first gig at a Jewish deli to selling out arenas, Haim have been on quite a journey since their 2013 debut album – and made history as the first all-female band ever to be nominated in the Grammys’ Best Rock Album category
Danielle Haim reveals her biggest guitar influences – and who she believes is one “of the most genius guitar players” of all time
The multi-instrumentalist sister trio have just been nominated in the Best Rock Album category at the upcoming Grammys for their latest album, I Quit
Mike Campbell explains how a lifelong connection with Tom Petty was forged in a matter of days – and the guitar was central to it all
As he celebrates the release of his memoir, Heartbreaker, Tom Petty’s right-hand man and dear friend reflects on a career’s worth of enduring hits, and why he “never doubted the music”
Ryan Hedgecock on Lone Justice's brief but fierce ’80s run – and how Tom Petty and Mike Campbell ended up penning a song on their debut
The promising young band were the subject of a flurry of publicity after they were signed to Geffen, but a behind-the-scenes mismatch in vision led to the outfit's premature demise
Mike Campbell on writing The Boys of Summer with Don Henley – after Tom Petty passed on it
Campbell made an all-important change to the song before handing it over to Henley
Chris Holt compares his Eagles and Dirty Knobs gigs
Former Don Henley sideman has a multi-amp rig when he plays with Mike Campbell, and a stipped down in-ears-only setup for the Sphere – but he always has 12 guitars standing by
How Mike Campbell and Tom Petty developed their Heartbreaker sound – with the help of some choice early gear picks
Though Petty was in need of a decent electric, the two Heartbreakers quickly landed on a sound that would define their guitar partnership
Fender and Mike Campbell recreate the Red Dog – The Heartbreaker’s heavily modded 1972 Telecaster
Campbell bought the Red Dog from one of his students, and used it across his career on some of his most notable works
