Motley Crue
Latest about Motley Crue

John 5 on his final conversations with Ace Frehley and working on Peter Criss’ new record
By Andrew Daly published
The Mötley Crüe guitarist reflects on losing his greatest influence, reveals what’s great about the former Kiss drummer’s upcoming album, and his hopes for another tour with Richie Kotzen

John 5’s entire pedalboard has been recreated in cake form for his birthday – and it gives a new meaning to ‘tasty tone’
By Phil Weller published
The only thing better than a Boss DD-8 is a Boss DD-8 you can eat

John 5 on staying true to the Crüe, pushing his playing and why he’s surrounded by ghosts
By Andrew Daly published
The virtuoso explains what made him the perfect fit for Mötley Crüe, how he’s channeling Paul Gilbert and Robert Johnson on his latest solo album, and what’s next for his signature Fender Telecaster

Nikki Sixx recalls his decadent early days with Mötley Crüe
By Joel McIver published
The legendary glam-metal bassist looks back on the crazy times he enjoyed with one of the most notorious bands ever

In an era dominated by look-at-me shred guitarists, Nikki Sixx showed that playing bass could be cool, too
By Nick Wells published
Mötley Crüe's 1989 blockbuster, Dr. Feelgood, is a prime example of Sixx's gritty bass approach

Mötley Crüe’s Nikki Sixx on fate, Thunderbirds and the legacy of Smoke on the Water
By Andrew Daly published
The bassist discusses a new lease of life with old friend John 5, new ’Crüe the band’s – and his eternal confusion over beloved Gibson reverse bodies

Nikki Sixx reflects on Mötley Crüe's decision to oust Mick Mars
By Janelle Borg published
Initial statements that Mars decided to retire due to ongoing health issues were refuted by the guitarist, saying he was forced out and immediately replaced by John 5

Mick Mars on finding his thrill with the Fender Strat – and the ’54 unicorn that broke his heart
By Andrew Daly published
The former Mötley Crüe guitarist pays tribute to the most important Strats in his life, the mods they have had, and why he had to step away from the pointy guitars crazy of the '80s
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