How Bill & Ted Face the Music became the most triumphant celebration of the electric guitar's past, present and future By Michael Astley-Brown Music supervisor Jonathan Leahy reveals how the movie’s bodacious soundtrack and resplendent Gibson electric guitars came to be
Joel Hoekstra teaches you the guitar solo for Whitesnake's Always and Forever By Joel Hoekstra With hybrid picking and two-finger tapping, this one'll certainly test your chops
Orange Crush Acoustic 30 review By Rob Laing Orange puts a little color in acoustic players' cheeks with a very smart amp you can take anywhere
Mooer introduces four-channel Air P10 Wireless System By Richard Bienstock Set boasts separate receiver and transmitter with a range of up to 45 feet
Matt Bellamy gifted Tom Morello a guitar… Now Morello has returned the favor By Michael Astley-Brown The Muse frontman takes receipt of Morello’s Fender Soul Power signature model
Genesis and Phil Collins guitarist Daryl Stuermer is selling guitars and other gear on Reverb By Richard Bienstock Items include Gibson, Fender and Steinberger electrics, a Roland guitar synth and dozens of pedals
Mike Dawes offers an intimate look at his acoustic arrangement secrets in this mind-blowing live premiere By Michael Astley-Brown The percussive mastermind debuts Somebody That I Used to Know from new live album, Shows & Distancing: Live in the USA
Sick Riffs: Johny Fisher teaches you the tremolo-drenched chorus line of Okey Dokey's Threw My Love Away By Sam Roche How you can use pedals to transform a guitar melody
Biffy Clyro's Simon Neil: ”I like my Strat to sound like someone losing their mind and clawing at the door” By Amit Sharma The guitar-toting frontman talks new gear discoveries, why the Boss Metal Zone continues to thrill, and the enduring influence of Soundgarden and Rush
Gilmore Guitars unveils the Bobby G, an electric guitar constructed from monkeypod wood By Richard Bienstock Hollowbody model is loaded with Kent Armstrong mini humbuckers, with a range of options
Greg Koch joins forces with Tone City for the Lil Heat mini overdrive pedal By Richard Bienstock New pedal conjures “edge-of-breakup” tones in a compact, affordably priced design
Justin Hawkins on AC/DC: "There’s no left turn that leaves you disappointed. Every crescendo satisfies" By Amit Sharma The Darkness frontman shares his love for the most iconic fraternal guitar duo of all time - Angus and Malcolm Young - and hails “the ultimate rock riff” in Back In Black
PRS launches Pulse Artist program to support up-and-coming players By Richard Bienstock New endeavor offers endorsement benefits to local guitarists
Sick Riffs: Josiah Mazzaschi teaches you the electro-shoegaze thunder of Bizou's Crashing Sky By Sam Roche For this one, you'll need delay and fuzz aplenty
How hybrid picking can open up a world of progressive possibilities By Gustavo Assis-Brasil This in-depth lesson will help you get to grips with the versatile technique favored by Plini and Tosin Abasi
Tom Morello: "Guitar playing has a different emphasis now – young people want to be producers before musicians" By Amit Sharma The Rage Against the Machine six-stringer and political activist talks the current landscape of guitardom, and his new Audible release, Tom Morello at Minetta Lane Theatre: Speaking Truth To Power Through Stories And Song
Manson META Series MBM-1 review By Stuart Williams When a signature guitar belongs to the company’s owner, it’s gonna be good: Matt Bellamy's latest affordable electric rated
Adrian Smith reveals the origins of Iron Maiden's three-guitar lineup By Richard Bienstock “It could have gone horribly wrong,” he admits
Marty Friedman explains why he's ditched delay and reverb for his just-announced new album, Tokyo Jukebox 3 By Richard Bienstock “Your solo expressions can often live and breathe more,” the former Megadeth man explains
Are you the Guitarist of the Year? By Guitar World Calling all guitarists and bassists: it’s time to enter the biggest guitar-based talent search of the year
