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Jared James Nichols on how to play behind and ahead of the beat in the blues
By Jared James Nichols published
Taking what he learned from Leslie West, Eric Clapton and Paul Kossoff, Jared James Nichols shows us just how to work the pocket and give our playing the personality it needs

Joe Bonamassa invites you to join him on blues shuffle – don’t worry, he’ll show you the notes
By Joe Bonamassa published
Set your phone on silent, your brain on shuffle. JoBo has a blues lesson coming in hot

Cory Wong on the most important technique you can learn from Nile Rodgers
By Cory Wong published
The kingpin of funky strumming defers to the O.G. – as Wong explains what he learned from the Chic master

Metronome magic: master your picking, improve timing, and build up speed – one click at a time
By Stuart Ryan published
Still ignoring the metronome? These seven examples prove it’s the secret weapon behind precision, speed, and control

Decoding the magic of Carlos Santana’s supernatural soloing style
By Richard Barrett published
Stay cosmic with this lesson in how Carlos Santana took the blues as practiced by B.B. King and Peter Green, plus the new radical rock styles of the '60s, and put his signature spin on them

When tapping's not shredding: how to play tapped harmonics like Eddie Van Halen
By Jamie Humphries published
Tapped harmonics were among Eddie Van Halen's trademark techniques. Learn how to make your guitar scream and sing

John Paul Jones explains one of the key ingredients of some of Led Zeppelin's greatest riffs
By John Paul Jones published
They may have played a huge role in bringing heaviness and triple-digit onstage decibel counts to rock, but as bassist John Paul Jones explains, Zeppelin were also masters of silence

Jared James Nichols on Albert King's electric fingerpicking
By Jared James Nichols published
Albert King played upside down, in a weird tuning, and influenced SRV and Hendrix alike, and he did it without a pick. So it's no surprise Nichols is a huge fan – he breaks down King's magic
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