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5 chord voicings that are a songwriter’s best friend
By Richard Barrett Published
Despite the ‘four lads from Liverpool’ tag, The Beatles used some very sophisticated chords in many of their songs, and the audience lapped them up

From B.B. King to Eric Clapton and Otis Rush, the blues is the core element of Joe Bonamassa's playing
By Joe Bonamassa Published
In this essential video lesson with the guitar superstar, he explains why it doesn't matter what style he is playing – it always begins and ends with the blues

Two essential G chord shapes: when to use each finger position and why
By Jimmy Brown Published
You'll spend a lot of time playing this chord – thankfully, there are multiple ways to do it, and each has a distinct purpose

Why four notes and the truth are all you need for a great slow blues solo
By Richard Barrett Published
In this lesson, we are using just four notes to construct four blues examples that put expression first

“Resolving with a more conventional blues phrase sounds really cool and satisfying”: Corey Congilio on how to add harmonic depth to your solo improvisations
By Corey Congilio Published
Congilio’s Blues Extensions column continues with a lesson in playing a five-minor-7 arpeggio over a dominant 7 chord

Manuel Gardner Fernandes breaks down the 5 techniques that define his sound
By Manuel Gardner Fernandes Published
Manuel presents his percussive strumming, tapped harmonics, selective picking, and Hetfield-inspired downpicking approaches

Mike Stringer on how 8-string guitars take him outside his comfort zone in search of creative dissonance
By Mike Stringer Published
Using the low-end monster riffs of Spiritbox's Fata Morgana, Stringer offers up a rhythm masterclass in modern metal

Charlie Starr on the joys of fingerpicking in Csus2 – the open tuning that doesn’t have a bad chord anywhere
By Charlie Starr Published
The Blackberry Smoke frontman unpacks the tuning he learned from Levi Lowery

Joe Bonamassa on the Eric Clapton classic that’s essential learning for any blues soloist
By Joe Bonamassa Published
Written by Memphis Slim, covered by Slowhand with John Mayall, Steppin’ Out is one of the tracks that all blues players should know. Bonamassa teaches you how to play it
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