All That Jazz: Addressing the Most Effective Ways to Practice | Guitar World

The following content is related to the August 2012 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.

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James Hetfield (left) and Kirk Hemmett perform onstage with Metallica at the Poplar Creek Music Theater in Hoffman Estates, Illinois on July 13, 1986

“I went to Lars’ house, and he played me the tape of Hit the Lights. I said, ‘This song sucks. You need more guitar solos’”: They forged a new sound, and in 10 years, they were the biggest band in the world

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“I was having so much anxiety about getting a great sound that I wasn’t writing songs… I said, ‘I’m gonna stop thinking about it. This is going to be my sound’”: Tom Morello on his tone struggles and what he learned from teaching his son Roman how to play

“I have a Southern accent, and it’s the same on the guitar. I adapted the guitar to do the talking for me when I was too shy”: Marcus King on why your fretboard has its own language – and how mental health became his muse

“When we learn to improvise, the first thing we pay attention to is where to put our fingers… rarely do any of us pay attention to the rhythm of a melody or lick”: Can’t figure out why your improvised solos don’t feel right? Here’s how to fix them

“I played a 5-string with Lauryn Hill, but it didn’t feel like a real bass”: Raised on R&B, schooled by fusion, and empowered by punk rock, Bad Brains bassist Darryl Jenifer remains a 4-string purist

“Zoom discontinued that pedal because nobody bought it – but bass players are always coming up to me wanting to know how I got those sounds”: Remembering jazz great Victor Bailey, who used an unsung multi-FX pedal for his cover of Prince’s biggest hit

Proggy Pentatonic! How to Use the Good Ol’ Pentatonic Scale in Cool New Ways

“I had a hard time playing in tune. The producer stopped me and said, ‘George, tune up again.’ I didn’t realize the value of that until Breezin’ came out”: How George Benson landed a hit album by breaking the rules – and learning to play in tune

“Even though a Marshall sounded fantastic, I refused to play one. That’s my bad… I had a terrible sound for years”: Punk-grunge icon Donita Sparks on ironic gear choices, L7’s infamous Reading Festival set and why recording with Butch Vig was “maddening”

“I bought my ’54 Strat from the biggest dealer in Sweden – he was crying when I walked away with the guitar”: Brian May, Steve Vai and Neal Schon have all given Yngwie Malmsteen guitars – but nothing compares to his Fender Strats

“If there was ever a time to get off the rollercoaster, it was going to be at the top”: Being in a band is tough – just ask bassist Dirk Lance, who left Incubus at the peak of their powers

“Trying to emulate these different players was a challenge. Chris Poland to Marty Friedman is like night and day. But that’s what excites me”: Glen Drover grew up idolizing Megadeth and King Diamond’s guitar heroes – then he had to step into their shoes