The recent passing of the great B.B. King has inspired a host of casual blues fans to dig deep into their record collection—or into the depths of their iTunes libraries—to get a refresher course on exactly what made King so special. Oddly enough, I had actually started revisited his expansive catalog the week before he became ill back in April.
Stevie Ray Vaughan released four studio albums, a live album and a Vaughan Brothers album, not to mention enough leftover live and studio material to fill several posthumous albums and a box set. He even found the time to perform on albums by several other artists — from Teena Marie to Stevie Wonder to Don Johnson — very often with fiery results.
This video, a clip of Stevie Ray Vaughan and Dick Dale performing "Pipeline," one of the most famous surf-guitar instrumentals of all time, has got it all. I mean, you've got Stevie Ray Vaughan, a righty ... you've got the under-appreciated Dick Dale, a lefty ... you've got Dick Dale's bizarre hair ... you've got Annette Funicello ... you've got some lovely Fender Stratocasters ...
As the primary songwriter in Oasis he was responsible for such Nineties mega-hits as “Wonderwall” and “Champagne Supernova,” and occasionally had violent, public fights with his singer brother Liam. But what Guitar World readers really want to know is…
The capo is to guitars what sugar — or Stevia, if you prefer — is to food. It makes everything sweeter. Musicians started noticing the capo's inherent song-sweetening properties sometime in the early 17th century, when primitive versions of the handy accessory were employed to raise the pitch of a host of fretted instruments.
For today's column and video (like last week's), I grabbed my ugly grey shirt and my Gibson Music City Jr. with B-Bender (a limited-edition guitar Gibson issued in 2013), to play a Clarence White-inspired country lick in A. As an electric guitarist, White built the bridge between country and rock in the late Sixties.
On September 6, 1968 — at the behest of George Harrison — guitarist Eric Clapton entered Abbey Road Studio Two in London to overdub lead guitar onto a brand-new Beatles song called "While My Guitar Gently Weeps."