Latest Features
Watch Adam Jones play Stinkfist onstage with Tool in a full Dwight Schrute costume
Jones joked on social media that the song was "really difficult to play" while dressed as the legendary Office character
![[L-R] Graham Coxon, Noel Gallagher, Jonny Greenwood and Miki Berenyi](https://cdn.mos.cms.futurecdn.net/oLHbYE3pVmqjHsCLSzi6yk-840-80.jpg.webp)
15 Britpop guitar heroes who shook up the UK in the '90s
The '90s were a heady time for the British indie scene, aka Britpop – from the advent of Blur vs Oasis to the emergence of Radiohead, we run down the guitarists behind the genre's biggest hits
That Pedal Show rate the most legendary pedals of all time: the deserving, the overrated and the total sleepers
Do these stompboxes deserve their notoriety or did they just get lucky? And how do you get the best from them? Dan Steinhardt and Mick Taylor share their thoughts – and tell us which pedals have gone under the radar over the years
Pale Waves on embracing “heavy distortion and chaos and power” and how The 1975's Matty Healy got them hooked on Vox's coffin-shaped Phantom
Heather Baron-Gracie and Hugo Silvani detail their evolution from a synth-pop sound to high-volume pop-punk with irresistible hooks
Amon Amarth on what drew them to baritone tunings over 7-strings and why no amount of pimping can polish a turd of a riff
The Swedish Viking metal stalwarts' Olavi Mikkonen and Johan Söderberg unpack the particulars of a brutal sound that has taken a turn for the dark on their latest, death metal-inflected epic, The Great Heathen Army
How Bob Dylan’s infamous Newport Folk Festival Fender Stratocaster ended up in the back of a woman’s attic – and why its discovery was so controversial
The Strat was played by the folk legend at one of his most divisive shows and sold at auction for nearly $1,000,000 – but its rediscovery was met with contention, not least from Dylan himself
The Beatles' Revolver: a comprehensive guide to the guitars and recording equipment the Fab Four used to make the landmark album
GW dissects the album that changed the band's musical trajectory, and that of pop music as a whole
Snake Sabo: “I'm not as good as I used to be. But it inspires me – if I don't feel like I need to get better, then what's the point?”
The Skid Row guitarist reflects on the acrimonious conditions that led to the band's split in 1996, tapping into harmonized leads on new album The Gang's All Here, and why he's not worried if he's not as dextrous as he used to be
Darkthrone's Nocturno Culto: "I would like Metallica to record on our equipment. What would they do to express themselves through that gear?"
In this rare interview with the Darkthrone guitarist, Ted Skjellum muses on the Fender combo’s black-metal magic and why he doesn’t miss playing live…
