The first thing that I did was write a song. As far as I can tell, it was called “Bluebird.” I still have the piece of paper, and it’s a little difficult to decipher. It looks like the scribblings of a mad schizophrenic. I remember playing that for hours and trying to impress my family that I already started writing songs.
Considering that millions of guitarists have spent countless hours staring cross-eyed at glass pipes, it was inevitable that one day someone would put two and two together and make a glass guitar. For guitarist and glass blower Nick Eggert, who built this unique glass guitar with chili pepper embellishments, the concept of a glass guitar was a perfectly natural development.
The Beach Boys had a really cool guitar sound. I also liked the guitarists in the Searchers and the Dave Clark Five. Then Jimi Hendrix and Pete Townshend hit, and it turned the guitar world on its ear. The more I got into playing guitar, the more I enjoyed music and the broader my listening became. The instrument itself became important to me, and I started messing around with classical guitar and took classical lessons.
I’ve always been intrigued by the way pedal-steel players compile notes differently than electric guitarists. Whereas the electric guitar kind of technically limits—or should I say more narrowly influences—how you form chords and craft licks, the pedal steel offers the player a lot of options, what with all those crazy pedals and knee-operated levers, additional strings, open tunings and the slide.
These videos are bonus content related to the October 2013 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now, or in our online store.