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Metal For Life: How to Devise Melodic Metal Licks for Rhythm Parts

Posted 01/18/2013 at 6:35pm | by Metal Mike Chlasciak
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When writing riffs, one of the greatest challenges is to create parts that are not just melodically and rhythmically effective but also memorable and powerful. The best metal riffs—like “Crazy Train,” for example—contain all of the qualities necessary for a great riff: hard-driving power, strong melody and, most importantly, a “star quality” that makes the riff instantly recognizable. This is true for both fast and slow riffs, because a really great riff doesn’t have to be impressive exclusively in a technical sense. This month, I’d like to present a couple of riffs that I believe exemplify these qualities.

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String Theory: How to Compose and Improvise Melodies Over a Chord Progression

Posted 01/18/2013 at 1:39pm | by Jimmy Brown
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Welcome to String Theory, a new column dedicated to imparting guitar-centric music theory concepts in a practical, useful way that you can readily apply to composing and improvising. Rather than show you a bunch of dry, abstract textbook examples of how chords are built from and live within various scales, I will try to keep things interesting and inspiring by presenting etudes.

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Interview: Megadeth Guitarist Dave Mustaine on 2009's 'Endgame'

Posted 01/17/2013 at 12:19pm | by Richard Bienstock, Photo by Ross Halfin
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Dave Mustaine Talks 'Endgame'

"You know,” says Dave Mustaine, “the other day I was trying to explain to a friend the story of King Midas, and how terribly lonely that must have been for him to have everything he touched turn to gold. "After a while that’s gotta suck, don’t you think? Especially if you touched your loved one…” The Megadeth singer and guitarist lets out a big laugh. “Although given some of the people I’ve had in my life, I’d probably be better off.”

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Interview: Engineer Eddie Kramer on Recording The Beatles' "All You Need Is Love"

Posted 01/14/2013 at 12:52pm | by Christopher Scapelliti
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Eddie Kramer: Recording the Beatles

The Beatles made EMI’s Abbey Road Studios a household name after they titled their 1969 album for the facility. It was there that they recorded nearly all of their songs, beginning with their first release, 1962’s “Love Me Do.”

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Interview: Aerosmith's Steven Tyler and Joe Perry Discuss Their New Album, 'Music From Another Dimension!'

Posted 01/10/2013 at 12:23pm | by Alan Di Perna, Photo by Ross Halfin
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Aerosmith: Rock in a Hard Place

“We really wanted to give it the feel that you were in the room with the band,” Perry says. “Especially with headphones on. That’s how you get your best sound and have an intimate kind of experience. But loud, and rocky! I think there are a lot of different atmospheres on the record.”

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In Deep: How to Utilize Unusual Alternate Tunings in the Style of Led Zeppelin’s Jimmy Page

Posted 12/20/2012 at 2:53pm | by Andy Aledort
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Jimmy Page is regarded as one of rock’s greatest guitarists, bandleaders and producers for the incredibly rich canon of music he created with the mighty Led Zeppelin. But not everything produced by the man was as crushingly heavy as Zep favorites like “Whole Lotta Love,” “Heartbreaker,” “Black Dog” and “Rock and Roll.”

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Review: Prestige Guitars Musician Standard

Posted 12/20/2012 at 11:34am | by Eric Kirkland, Video by Paul Riario
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Gibson pioneered the arched-top semihollow electric guitar in 1958 with the introduction of the ES-335. A thinline-bodied guitar, the 335 featured a solid block down its center, and hollow sidewings. The ES family of guitars became a favorite of electric blues players, like B.B. King, as well as rock and rollers, such as Chuck Berry, and the design has remained a favorite of blues, rock and pop players to this day. Prestige’s affordable Musician Standard brings this classic design forward, blending old-world construction and a vintage Bigsby tremolo with noise-silencing contemporary appointments and a set of Seymour Duncan high-output pickups.

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Excerpt: Led Zeppelin Discuss Their 2007 Reunion Show

Posted 12/08/2012 at 8:06am | by Michael Han, Photo by Ross Halfin
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Led Zeppelin Rides Again!

The first thing you notice is how close together they are. Led Zeppelin are not scattered around the huge stage of the O2 Arena in London like 100-meter-relay runners awaiting the baton, like most bands at this venue. They are huddled within a few feet of each other in the center of the stage, and they stay that way for most of the two hours or so of Celebration Day, the new movie that captures their one-off return to playing live in December 2007.

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Hole Notes: Examining Paul McCartney’s “Two-Finger” Magic in “Blackbird”

Posted 12/07/2012 at 11:51am | by Dale Turner
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The Beatles’ “Blackbird,” performed entirely by Paul McCartney using his Martin D-28, was released on the 1968 album The Beatles (commonly referred to as the White Album). From a guitar standpoint, the song’s roots and inspiration can be traced back to McCartney’s early experimentation with a well-known piece by J.S. Bach titled “Bourée in E Minor,” which he woodshedded in his youth.

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Kentucky’s Boscoe France Claims Top Honors in Guitar Center’s Annual Battle of the Blues Competition

Posted 12/03/2012 at 5:56pm | by Damian Fanelli
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Thousands of aspiring blues guitarists went down to the crossroads — but only six of them made it to Guitar Center’s Battle of the Blues Grand Finals, which took place August 18 at Club Nokia in Los Angeles.

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