Solidbody electric guitar makers in the mid Seventies became obsessed with the notion that greater mass equals increased sustain, resulting in multilaminate neck-through-body “hippie sandwich” instruments with brass hardware that tipped the scales at 12 pounds or more.
Looping pedals are great for rehearsing alone, working out solos over your rhythm parts and even composing. Onstage, they can make you a show-stopping one-man band, building complex loops that can impress your fans. But loopers can be fidgety to use, and the more features they pack in, the more difficult they are to use intuitively and on the fly.
Jerry Garcia is best known as the lead guitar player and primary singer/songwriter of the Grateful Dead. Though they are regarded as pioneers of the “jam band” genre that rose to prominence in the late Sixties, the Grateful Dead, unlike many of their counterculture contemporaries, never faltered with the changing times.
The inspiration for the title of Brad Paisley’s latest album, Wheelhouse, came from the phrase “in your wheelhouse,” which is a reference to the baseball term for the strike zone’s sweet spot, where a batter can comfortably hit a ball with maximum power and precision.
While true-bypass pedals are designed to preserve the integrity of your guitar’s signal, using several true-bypass pedals chained together can still result in wimpy tone. That’s because the excess lengths of cable needed to connect everything together can suck a lot of frequencies from a signal by the time it reaches the end of the chain. The Morley Buffer Boost features a buffer circuit that gives your guitar’s signal an extra push at the front or back of the signal chain to maintain level and tone, and it also provides up to 20dB of clean boost that you can engage for solos.