Red Rocks is a musical mecca, a natural amphitheater in the foothills of the Rockies renowned for its great sound and serene setting. On this summer night, afternoon storms have given way to sunshine. A rainbow spreads across the plains behind the stage, helping to make the place feel even more magical.
What a difference a year makes. In February 1969, the Grateful Dead recorded a series of shows at San Francisco’s Avalon Ballroom and Fillmore West in the hope of finally capturing on tape the psychedelic alchemy of their already legendary onstage interplay. The double album Live Dead, released in November that year, showcased the Dead at their adventurous and exploratory acid-peak best and cemented their reputation as the premier jamming band of the era.
The 46-year-old Petrucci certainly knows a thing or two about challenging one’s self. In more than a quarter century with Dream Theater, the native of New York’s Long Island has regularly raised the bar for six-string (and sometimes seven-string) fretboard wizardry.
The world needs more guitar heroes like Guthrie Govan. No mere notes-per-nanosecond noodler, Govan has musical tastes and a command of music history far more eclectic and adventurous than those of the average shred demon.
John Petrucci’s relationship with Music Man stretches back more than a dozen years and encompasses a variety of signature-model guitars. But in their long history together there’s never been anything quite like Petrucci and Music Man’s newest creation, the JP13.
Twenty years after Kurt Cobain suffered for the sins of corporate rock, Nirvana rise from the vault in a deluxe box-set reissue of their great grunge apotheosis, In Utero. GW delivers the gospel according to Dave Grohl, Krist Novoselic and Pat Smear.
This month’s column focuses on an original composition of mine that acknowledges the influence of classical pianists on my playing style, specifically the way in which pianists will play arpeggios across several octaves very quickly (see FIGURE 1). In order to emulate that sound on the guitar, I’ve devised a few fretboard tapping techniques. In fact, much of my two-hand tapping technique is based on that goal and approach.
From “Dazed and Confused” to “You Shook Me” … from “Tangerine” to “The Lemon Song” … from “Trampled Under Foot” to “Stairway to Heaven” … Guitar World presents a critical analysis of the classic-rock group’s best tracks. With the recent release of Celebration Day, the concert film immortalizing Led Zeppelin’s historic and most likely final reunion concert at London’s O2 Arena on December 10, 2007, guitarist-producer Jimmy Page reminded the world just how profoundly great and enduring his band’s music is.