Jerry Garcia is best known as the lead guitar player and primary singer/songwriter of the Grateful Dead. Though they are regarded as pioneers of the “jam band” genre that rose to prominence in the late Sixties, the Grateful Dead, unlike many of their counterculture contemporaries, never faltered with the changing times.
The inspiration for the title of Brad Paisley’s latest album, Wheelhouse, came from the phrase “in your wheelhouse,” which is a reference to the baseball term for the strike zone’s sweet spot, where a batter can comfortably hit a ball with maximum power and precision.
While true-bypass pedals are designed to preserve the integrity of your guitar’s signal, using several true-bypass pedals chained together can still result in wimpy tone. That’s because the excess lengths of cable needed to connect everything together can suck a lot of frequencies from a signal by the time it reaches the end of the chain. The Morley Buffer Boost features a buffer circuit that gives your guitar’s signal an extra push at the front or back of the signal chain to maintain level and tone, and it also provides up to 20dB of clean boost that you can engage for solos.
In this month’s column, I’d like to present a few single-note patterns that are designed to fortify fret-hand/pick-hand coordination while they strengthen your overall chops and ability to play fast and clean. In my own experience, I have found that drilling on one or two very specific melodic fretboard shapes works wonders in uncovering technical areas of weakness in both hands.
It’s no surprise that a signature model guitar designed by Megadeth lead guitarist Chris Broderick and Jackson Custom Shop master builder Mike Shannon is a lean-and-mean shred machine. However, the Jackson Chris Broderick Soloist 6 is packed with so many ergonomic and performance enhancements that players who aren’t into Megadeth or even metal in general should check it out as well.