Features
Latest Features

Francis Rossi on the Status Quo groove, Kempers, and his relationship with the late Rick Parfitt
By Henry Yates published
The Quo’s motormouthed frontman had no intention of releasing a new solo album. But with The Accidental, Francis Rossi tells us he’s stumbled across his best work yet

I attended the biggest guitar auction in history – and witnessed a new dawn in the value of the instrument
By Jackson Maxwell published
The monumental bidding wars that took place on the first night of the Jim Irsay Collection auction at Christie’s New York were a testament to the power of the instrument and the aura of the classic rock gods, and left attendees spellbound

How bassist Eva Gardner landed the gig with Pink
By Nick Wells published
The daughter of Creation bassist Kim Gardner, Eva Gardner was also a member of The Mars Volta

I’m a drummer. You guitarists have made me hate being in bands
By Martin Kielty published
Your noodling, new toys, bad cables, and blasé attitude to learning songs is turning me into a rehearsal-hating retiree. But there’s hope for you yet…

John Lennon’s ’64 Rickenbacker is officially a $1.3m guitar – but it was originally a replacement for a Beatles live show
By Jamie Dickson published
This stunning stand-in Ricky was owned by both John Lennon and Ringo Starr in its time, and was one of the big sales in the Jim Irsay auction at Christie’s

George Harrison’s 1964 Gibson SG Standard is officially part of the multi-million dollar guitar club – but as a piece of Beatles history it’s priceless
By Jamie Dickson published
Sold at auction for $2,271,000, Harrison’s SG is one of the most significant Beatles guitars

Melissa Auf der Maur on joining Hole amidst tragedy and her “Master’s in Music” with the Smashing Pumpkins
By Janelle Borg published
In her love letter to the ’90s – the last analog decade – the Hole and Smashing Pumpkins bassist shares how she fell in love with the low-end and became an integral part of the noise-making generation

Cory Wong on not buying the Klon hype and vintage unicorns lost and found
By Andrew Daly published
The modern-day funk maestro discusses his career in gear, and that means Strats, creative gear solutions, and why he never got swayed by the “mystique” of Klons and tube amp grails

How a Radio Shack pedal and a fiery Fall Out Boy guest spot helped Filth is Eternal live up to their name
By Gregory Adams published
After finding inspiration in an old Radio Shack analog reverb, guitarist Brian McClelland’s tonal experimentation has exploded – and it’s added more bite to the band's new release, Impossible World
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