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“That song ended up being my homage to Jimmy Page... There’s this Celtic thing that we were tapping into. Like the Bert Jansch recording of Blackwaterside”: Rich Robinson on The Black Crowes’ triumphant second act
By Amit Sharma published
“It's the season of brotherly love,” says Robinson, as the once volatile Atlanta, Georgia rock legends return – but the ’Crowes are still flying by the seat of their pants

Joe Perry on how Jimmy Page inspired his custom ‘90s Black Burst Les Paul Standard
By Andrew Daly published
A doozy from the Gibson Custom Shop that inspired the Aerosmith man's signature model, this single-cut is hot-wired for a tone that sets it apart from garden variety Les Pauls

How Tom Anderson changed the guitar industry – and what’s next for Anderson Guitarworks
By Charlie Wilkins published
From Schecter’s experimental beginnings to boutique-guitar leadership, he built a legacy of innovation, precision and playability. He’s now preparing the next chapter with successor Markus Spohn

“Bob Rock said, ‘Don’t worry, I’m gonna help you become a guitar hero.’ And he did!” Billy Duffy on how The Cult made their most challenging hit single
By Andrew Daly published
The guitar icon explains how tours with Billy Idol and Guns N' Roses shaped their 1989 hit, Fire Woman

Bakithi Kumalo looks back at his formative years touring South Africa
By E.E. Bradman published
Kumalo made a radical change in his bass technique during a tour of South Africa – before he ever played a note with Paul Simon

Miroslav Vitous on his departure from Weather Report (and his thoughts on the bassists who replaced him)
By Rick Suchow published
Bassist Miroslav Vitous co-founded Weather Report with fellow Miles Davis alumni Joe Zawinul and Wayne Shorter

“I’d seen pictures of Keith Richards playing it. I figured I’d try one out”: How Joe Perry found his ultimate slide guitar
By Andrew Daly published
And even better still, the Ampeg Dan Armstrong was see-through…

The life and times of John P. Hammond, the blues genius who inspired Bonnie Raitt and countless others
By Henry Yates published
The New Yorker will be remembered as a master of acoustic barrelhouse and an interpreter of Delta blues who performed like a man possessed

Devo’s Bob Mothersbaugh on accidental hits, audience provocations and the de-evolution of guitar
By Andrew Daly published
Devo's uncontrollable urge to make new noise sired a new-wave sound with a puckish punk energy. The ’70s wasn't ready for them. Are we not ready now?

Val McCallum’s accidental introduction to session work
By Andrew Daly published
He’s worked with Jackson Browne, Sheryl Crow, Lucinda Williams, and others, but doesn’t regard himself as an in-demand studio guy. The gearhead lists some of his favorite tools, including a Tele Custom he didn’t expect to like
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