“If I had a perfect Strat, I’d take off a volume and a tone knob – because I’m a dreadful man – just to make it like a Tele”: Graham Coxon on the perfection of the Telecaster (and why you shouldn’t lend him your Strat)
The Blur guitarist reflects on his “wooden wife” – and the charms of the Tele’s weird headstock
With the Fender Telecaster celebrating the big seven-five this year, Guitar World has been speaking to some of the biggest names to pick it up in anger. Here's Blur's Graham Coxon's take on the Tele, and he's very much of the opinion that Leo got it right the first time around.
“It’s one of the first designs for an electric guitar, and there’s nothing on there that you don’t particularly need,” says Coxon. “If I had a perfect Strat, I’d take off a volume and a tone knob – because I’m a dreadful man – just to make it stripped down like a Tele.
“The Tele is a stripped-down hot rod. It’s easy to play, simple and really versatile. It’s a funny-looking thing, but I think people who actually settled down with a nice Tele as a wooden wife saw this incredible thing that Leo Fender decided to make.
“He made it out of bits of old tin and wood and put strings on it, and it was one of the best things ever – and it still is one of the greatest guitars ever built. Maybe because the design was too perfect in the first place, compared to the Strat, which came after… it was an absolutely perfect design.
“But it’s a funny old shape. And the headstock isn’t quite like a Strat headstock. With the Tele, it’s like, 'What’s happened to your headstock?' And it’s like, 'Man, I was born this way…' [Laughs] It’s kind of weird and not quite formed. It’s strange, but it fucking does the job!”
- This article first appeared in Guitar World. Subscribe and save.
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Andrew Daly is an iced-coffee-addicted, oddball Telecaster-playing, alfredo pasta-loving journalist from Long Island, NY, who, in addition to being a contributing writer for Guitar World, scribes for Bass Player, Guitar Player, Guitarist, and MusicRadar. Andrew has interviewed favorites like Ace Frehley, Johnny Marr, Vito Bratta, Bruce Kulick, Joe Perry, Brad Whitford, Tom Morello, Rich Robinson, and Paul Stanley, while his all-time favorite (rhythm player), Keith Richards, continues to elude him.
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