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Hear the isolated guitar and bass tracks from Led Zeppelin's Ramble On

(Image credit: Simone Joyner/Getty Images)

As part of our ongoing Isolation Booth series, we've heard isolated guitar tracks by Stevie Ray Vaughan, Eric Clapton, Eddie Van Halen, Dimebag Darrell, Steve Vai, Mark Knopfler and more. But we've never ventured into the fascinating world of Led Zeppelin.

Today, however, that's exactly where we're headed.

Below, you can check out most of the isolated guitar and bass parts from Ramble On, a standout cut from 1969's Led Zeppelin II. Enjoy!

BASS: Although the drum track is pretty much inaudible, the song serves as an illustration of the super-tight interplay between Led Zeppelin bassist John Paul Jones and drummer John Bonham. Jones' light, nimble, melodic bass phrases give way to an ascending motif that follows Bonham's soft percussion.

ACOUSTIC GUITAR: Page wrote Ramble On and several other classic Led Zep tracks on his Harmony acoustic (although we're not claiming that he used the Harmony on this recording).

"[The Harmony] helped me come up with all these amazing songs! It encouraged me," Page told Guitar World in 2014. "It didn’t fight back, and it didn’t go out of tune. It would say to me, 'Go on, man, give me more! C’mon!' ... I know I wrote Ramble On and What Is and What Should Never Be on it."

ELECTRIC RHYTHM GUITAR: Page’s ferocity kicks in around 1:14. Although Page eventually became known for building up layer upon layer of guitar tracks (just watch a top-notch Led Zeppelin cover band to see how many guitarists are required to capture the essence of the band's studio recordings), Page kept the lead guitar overdubs for Ramble On pretty simple.

A few years ago, Guitar World's Brad Tolinski asked Page how he achieved that smooth, sustaining violin-like tone on the Ramble On guitar solo: "I used the neck pickup on my Les Paul and backed off on the treble knob on the guitar, and ran it through the sustainer Roger Mayer made for me years before. When I was recording it, I was thinking in terms of making a sound sort of like a string arrangement."

Unfortunately, the isolated violin-style guitar solo is no longer available on YouTube; however, you can hear it in the bottom video, which is the regular version of the studio track.

Damian Fanelli

Damian is editor-in-chief of Guitar World magazine. From 1998 to 2014, he was one third of Mister Neutron, an instrumental rock act that toured the universe and elsewhere and released three albums via Austin-based Deep Eddy Records. These days he performs with several New York City-area bands and can often be spotted with one of his many, many, many B-bender-equipped guitars. In past lives he was GW’s managing editor and online managing editor – and he still can’t believe he got to write the liner notes for the latest SRV box set.