Andrew Daly
Andrew Daly is an iced-coffee-addicted, oddball Telecaster-playing, alfredo pasta-loving journalist from Long Island, NY, who, in addition to being a contributing writer for Guitar World, scribes for Bass Player, Guitar Player, Guitarist, and MusicRadar. Andrew has interviewed favorites like Ace Frehley, Johnny Marr, Vito Bratta, Bruce Kulick, Joe Perry, Brad Whitford, Tom Morello, Rich Robinson, and Paul Stanley, while his all-time favorite (rhythm player), Keith Richards, continues to elude him.
Latest articles by Andrew Daly

By Andrew Daly Published
The Aerosmith guitarist shares the story behind his custom-made Dazzle guitars and his greatest gear modding mistakes

By Phil Weller Published
Every guitar is painstakingly ordered in his vault, but there's one he finds himself grabbing more than most

By Andrew Daly Published
Is 1982’s Shoot Out the Lights the best album Richard Thompson ever made? Fans think it is. His own opinion might surprise you

By Andrew Daly Published
Channeling Dickey Betts and using different gear paid off for the band in 1992. But it wouldn’t have happened if their label hadn’t been so supportive, guitarist Rogers Stevens says

By Janelle Borg Published
Turns out, the missing piece of his ideal tone was closer than he thought...

By Andrew Daly Published
The veteran hitmaker recalls attending guitar class without owning an instrument, and reveals why she decided to re-record the smash she wrote for Christina Aguilera

By Andrew Daly Published
The Aerosmith guitarist on the iconic Junior with the custom mother-of-pearl inlay, his desert island guitar – and why he reads Guitar World every month

By Janelle Borg Published
With eight solo records and four film scores under his belt, Coxon has looked back on the moment that led to his first solo record, 1998’s The Sky Is Too High

By Andrew Daly Published
The P-Funk veteran takes us inside his latest life stage, a much more mellow place than the frenzied funk days of his past

By Andrew Daly Published
Guitarist Richard Oakes arrived in the band as Bernard Butler's replacement – a relative rookie. Suede were supposedly cooked. And yet in songs like Trash and Beautiful Ones, they had something special indeed

By Jackson Maxwell Published
For Sean Lennon, the guitar was a means of connecting to the father who was taken from him when he was barely five years old. Though, he added in a new interview with GW, their playing styles are noticeably different

By Jonathan Horsley Published
Holmes rocked up fully prepared for his audition thanks to his teacher

By Andrew Daly Published
The Aerosmith guitarist's mid-’80s X-100 Blade Runner is so cool it makes you wonder why Guild doesn't bring it back

By Andrew Daly Published
The left-handed bassist discusses the pitfalls of being with Kiss’ management, selling his Ampeg gear to Malmsteen’s band, and releasing a record that shows what might have been with Vincent

By Andrew Daly Published
With his custom yellow Fender in hand, Hager is playing the new wave classics as best he can – and having a good time while doing it
![Skillet perform live in Texas [L-R]: Korey Cooper, John Cooper and Seth Morrison of Skillet.](https://cdn.mos.cms.futurecdn.net/NKMgcUzySchQ33XoTGaER4-320-80.jpg)
By Andrew Daly Published
Or how Skillet kept growing and the ’board kept growing until the Boss MIDI switcher assumed executive function on Cooper and Morrison's live rig

By Andrew Daly Published
His professional career started at 14, but it was a chance booking in Las Vegas that really changed the Gibson fan’s life

By Andrew Daly Published
When Jemmott was drafted to play on the Live & Well sessions in 1969, he would find himself in awe of the King, and joined a band that would produce three albums’ worth of material

By Andrew Daly Published
A doozy from the Gibson Custom Shop that inspired the Aerosmith man's signature model, this single-cut is hot-wired for a tone that sets it apart from garden variety Les Pauls

By Andrew Daly Published
The guitar icon explains how tours with Billy Idol and Guns N' Roses shaped their 1989 hit, Fire Woman

By Andrew Daly Published
And even better still, the Ampeg Dan Armstrong was see-through…

By Andrew Daly Published
Devo's uncontrollable urge to make new noise sired a new-wave sound with a puckish punk energy. The ’70s wasn't ready for them. Are we not ready now?

By Andrew Daly Published
He’s worked with Jackson Browne, Sheryl Crow, Lucinda Williams, and others, but doesn’t regard himself as an in-demand studio guy. The gearhead lists some of his favorite tools, including a Tele Custom he didn’t expect to like
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![Billy Gibbons [left] plays a custom T-style; B.B. King takes a solo on Lucille.](https://cdn.mos.cms.futurecdn.net/4yzvvUKZ96pjSWVvfNDAxD-320-80.jpg)