
Andrew Daly
Andrew Daly is an iced-coffee-addicted, oddball Telecaster-playing, alfredo pasta-loving journalist from Long Island, NY, who, in addition to being a contributing writer for Guitar World, scribes for Bass Player, Guitar Player, Guitarist, and MusicRadar. Andrew has interviewed favorites like Ace Frehley, Johnny Marr, Vito Bratta, Bruce Kulick, Joe Perry, Brad Whitford, Tom Morello, Rich Robinson, and Paul Stanley, while his all-time favorite (rhythm player), Keith Richards, continues to elude him.
Latest articles by Andrew Daly

Paul Masvidal on taking progressive extreme metal to new heights with Cynic and Death
By Andrew Daly published
The virtuoso took a detour from heavy music to work on TV and film scores in the ’90s. Now he’s working on new material with Cynic – and a signature guitar with Kiesel. He explains how he came to join and leave Death, and how sexuality has informed his take on metal

“They stole our name – Jon Bon Jovi and Richie Sambora were listening to our records”: The tale of the original Irish Skid Row
By Andrew Daly published
Bassist Brush Shiels looks back on his lifelong friendship with Moore, why he won’t sue the American hair metal band, and how Peter Green was responsible for their first album sounding so bad

Roger McGuinn on The Byrds’ influential guitar style, and why they didn’t follow The Kinks and The Who into distortion
By Andrew Daly published
The banjo-inspired Rickenbacker guitar icon recalls how Miles Davis got them signed and weighs up the merits of David Crosby and Clarence White

How G&L Guitars is carrying on the legacy of Leo Fender
By Andrew Daly published
G&L director of sales Steve Araujo on the other brand that Leo Fender built, and the innovations that have made it a favorite of A-list pros such as Jerry Cantrell

Todd Rundgren’s love affair with Clapton’s Fool SG, and how he moved on after selling it
By Andrew Daly published
He rescued it from peeling-paint hell, restored it after the headstock snapped off, but was never fully happy with the psychedelic Gibson. Then a fan offered a happily-ever-after solution

Why session legend Tim Pierce never joined Bon Jovi
By Phil Weller published
Pierce helped record a Bon Jovi classic but a few considerations made him unsuitable for the gig

Meet Jesse Williams, the Joe Bonamassa-backed singer-songwriter tackling the mountain blues
By Andrew Daly published
Raised on fingerpicking and the blues but now beginning to explore pedals, Williams explains why it’s worth remaining independent no matter the challenges

Junior Marvin on Bob Marley and the Wailers’ Survival – and the influence Hendrix’s guitar pedal guru had on its sound
By Andrew Daly published
After the success of Exodus and Kaya, Bob Marley took the Wailers into a more politically charged direction to deliver a slept-on classic in the Wailers’ discography

Steve Stevens on his Dave Friedman pedalboard, his fave klone and why he can't quit guitar synths
By Andrew Daly published
The effervescent Billy Idol guitarist reveals the secrets of his pedalboard

Tim Pierce on working with Michael Jackson – and how the King of Pop turned out to be an unexpected gear nerd
By Janelle Borg published
As a session pro, Pierce has worked with a who’s who of the music industry, and lent his guitar chops to some of Jackson’s most notable recordings

Jake E. Lee on his wild Ozzy Osbourne days and why Tony Iommi is harder to emulate than Randy Rhoads
By Andrew Daly published
Arthritis and the small matter of being shot didn't stop Jake E. Lee from honoring his old bandmate/boss Ozzy Osbourne and hero Tony Iommi at Sabbath's final show. And Tom Morello needed him bad

Rival Sons’ Scott Holiday on what it’s like to open a Black Sabbath show
By Andrew Daly published
Supporting Sabbath throughout The End Tour, Rival Sons got a better view of metal's godfathers than anyone – and will pay tribute to them at their final show. What will they play? Holiday's sworn to secrecy

Billy Gibbons shares the story of the “treasured moment” he sat in on a B.B. King session – as a child
By Matt Parker published
Long before he got the chance to pick it up for himself, the ZZ Top man found himself in a truly formative session with an icon of electric guitar

“Let’s just do Free Bird for two hours”: Zakk Wylde on Ozzy’s surprise demands for his final show
By Andrew Daly published
Ozzy Osbourne’s longest serving six-string lieutenant on what it means to be one of the family, and what to expect at Black Sabbath's emotional homecoming and farewell concert

From Hüsker Dü’s “fighter jets” to Sugar’s “sheets” of guitar, how Bob Mould built his wall of sound
By Andrew Daly published
With his trusty Fender Strat in hand and at a young 64, Bob Mould is an evergreen icon of alt and indie guitar – and he’s back with a new solo album

Glen Matlock on how the Sex Pistols have changed, while his bass rig never has and never will
By Andrew Daly published
The punk icons’ most accomplished musician explains what Frank Carter has brought to the band, the financial advantages of not using a pick, and the chance of new music with their latest recruit

Why folk legend Richard Thompson is embracing new guitar gear – but drawing the line at digital
By Matt Owen published
Thompson may be impressed with modern guitar gear, but he’s explained why he doesn’t like digital amp simulations

Bill Kelliher on his awkward Tony Iommi encounter and Mastodon’s Back to the Beginning plans
By Andrew Daly published
As he gears up for Black Sabbath's last hurrah, the Mastodon man looks back on his brief – but probably very helpful! – exchange with Tony Iommi, and explains why no-one tops the Sabbath riff lord

Lzzy Hale on how Halestorm wound up playing Ronnie James Dio’s final show, and doing the same for Ozzy
By Andrew Daly published
The Halestorm leader is a die-hard Black Sabbath fan who first encountered the Dio lineup before discovering the Ozzy era. She explains why Back to the Beginning will be a full-circle moment

Tony Iommi was such a big influence on Scott Ian that he tried to play left-handed
By Andrew Daly published
Ahead of his performance at Back to the Beginning, Anthrax's riff-master reflects on the influence of Black Sabbath, and how he got into their "acid rock" in the first place

Why The Cars' Elliot Easton believes a guitar's setup is more important than its price tag
By Janelle Borg published
Is it worth breaking the bank for a guitar? The Cars' six-stringer doesn't think so...
![K.K. Downing [left] plays his white Flying V, and Black Sabbath's Ozzy and Tony Iommi share a moment onstage in 1978.](https://cdn.mos.cms.futurecdn.net/xUKq2rNaFRvbrV5tDw7kfL.jpg)
K.K. Downing on coming up with fellow metal gods Black Sabbath in Birmingham, and why no-one can play like Tony Iommi
By Andrew Daly published
They are from the same city, sharing a similar mission, and this weekend they will gather for one last push for metal as the former Judas Priest man steps onstage to celebrate Black Sabbath
![Jerry Cantrell [left] plays his blue dress G&L live at Tons of Rock 2025; an archive shot of Tony Iommi playing with Black Sabbath in 1976.](https://cdn.mos.cms.futurecdn.net/rBdqDZFoyFhpYdD8tfChsE.jpg)
Jerry Cantrell on his lifelong love of Black Sabbath and touring with Ozzy Osbourne (before taking his bassist)
By Andrew Daly published
The Alice in Chains riffmaster on his love of Tony Iommi and what to expect from his performance at Black Sabbath's curtain call, Back to the Beginning

George Thorogood on his “mutt” amp, ES-125s, and talking shop with Hound Dog Taylor
By Andrew Daly published
The 75-year-old – who’s not sure how he gets his sound – almost gave up playing when Gibson discontinued the ES-125. Now he says he’ll keep going until the guitar gives up on him
![Adam Jones [Left] wears sunglasses and plays his signature Gibson Flying V as he performs with Tool; [Right] Tony Iommi of Black Sabbath is pictured in a black leather jacket with his customary SG with cross inlays.](https://cdn.mos.cms.futurecdn.net/X4KLTgVPy829SMjLkpazyW.jpg)
Adam Jones on Tony Iommi and saluting Black Sabbath with an all-star Tool x Pumpkins x RATM jam
By Andrew Daly published
Tool guitarist Adam Jones explains how Tony Iommi's triumph over adversity was every bit as influential as his horror-influenced riffs – and what to expect from his Back to the Beginning collabs with Tom Morello and Billy Corgan
All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox!