Latest articles by Andrew Daly
Bob Daisley on being warned off Ritchie Blackmore, the greatness of Gary Moore – and pairing-up with Randy Rhoads
Born to be a bassist, he was warned against working with Rainbow and Sabbath alumni, but did it anyway. And his only regret is the ever-looming cloud over his celebrated work with Ozzy Osbourne
Steve Stevens on following in Eddie Van Halen’s footsteps to record the ‘spiritual successor’ to Beat It
When Jackson and Jones sought to revisit the sound they experimented with on Beat It, they turned to the Billy Idol guitarist for a hard rock edge
Jim Weider on replacing Robbie Robertson in The Band – and the ’52 Tele he got while working at a car wash
Woodstock native Jim Weider got a chance to prove his mettle in the mid-80s when he stepped up to replace Robbie Robertson in The Band. Here, he tells us his story – and how a ’52 Tele came along for the ride
Martyn LeNoble on a career spent working with alt rock icons – and the kindness of John Entwistle
Long before perfect stranger John Entwistle lent him a Trace Elliott, the Porno For Pyros founder started out with a P-Bass knockoff and a homemade amp. Now he’s all about paying tribute to late friend Mark Lanegan
How Ella Feingold got working with Bruno Mars – and how it differed from her Prince audition
Feingold had already worked with Janet Jackson, Jay-Z, Erykah Badu and Queen Latifah when she got the call from Bruno Mars
Jason Narducy on inspiring Dave Grohl, getting R.E.M. cover tips from Peter Buck – and being Bob Mould’s bassist
Starting his punk band Verböten at 11 with a “terrible” SG copy, the modest guitar hero (and Bob Mould bassist) remains in demand with his eternal passion, attention to detail and love of living room shows
Steve Cradock on that time he recorded Come Together with Paul McCartney – using Paul Weller's Epiphone Casino
Cradock and McCartney formed a supergroup with Weller, Noel Gallagher, Steve White and Carleen Anderson during the recording of 1995's The Help Album
How George Benson helped take Ibanez to the next level in the late-’70s
With multiple Ibanez signature guitars under his belt, the Breezin' guitarist shares the story of how his relationship with the Japanese guitar brand came about
Steve Morse on gear-buying, his ‘FrankenTele’ and why he needs four pickups – no more, no less
A gearhead through and through, the Dixie Dregs and ex-Deep Purple guitarist reveals some of his follies and lessons learned along the way
Joe Perry on 50 years of Aerosmith, and what it takes to nail his “working tone”
As Aerosmith call time on their stellar 50-year touring career, Perry joins us to reflect on what he’s learned about guitar along the way – the tones that work, the tones that don't, and the invaluable lesson he learned from Keith Richards
George Benson on how he got the Gibson that shaped his 1976 chart-topping record, Breezin’
Benson recalls how he bought his Breezin' Gibson Johnny Smith from someone he calls “one of the bravest guys I’d ever met”
Tony Stevens’ rocky ride with Savoy Brown and Foghat
Despite industry woes, he loved the challenge of playing with Kim Simmonds and ‘Lonesome’ Dave Peverett, and loved Acoustic amps and Warwick basses
Brian May, Billy Gibbons and Steve Cropper on how the three guitar icons learned to play together
For the latest record from Steve Cropper & The Midnight Hour, the Stax legend enlists two equally iconic players. Here three kings of the six-string tell us what went down in Friendlytown
Ella Feingold auditioned to join Prince’s band – but was turned down because her playing was “too funky”
Feingold has discussed her 2005 audition, during which her chops proved to be too funky – and not enough ‘Elton John’ – for Prince
Greg Suran on his time with Joe Walsh – and the Eagle’s passion for tonal tinkering
A veteran guitarist whose resumé also includes work with Sunny Day Real Estate, The B-52's, and Lionel Richie, Suran tells GW that he learned plenty from the Eagles legend, both tone-wise and solo-wise
Session ace Paul Jackson Jr. on how he became Michael Jackson and Quincy Jones’ go-to guitarist
From meeting Michael Jackson at 19, to playing with B.B. King and on Daft Punk’s Get Lucky, his career has thrived on variety – but the session great tells us it starts with your ears, not your hands...
Billy Corgan on how watching Iommi taught him the key to the playing style of Eddie Van Halen
As Corgan explains, the distinctive aspect he observed of the ’Sabbath great, also shaped his understanding of players like Eddie Van Halen and Uli Jon Roth
Billy Corgan shares his pedalboard secrets, including the $1,000 pedal he stole from his dad
The Smashing Pumpkins bandleader reveals that though his relationship with guitar effects has changed over the years, there's still a place in his heart for them, especially the Warm Audio Warmdrive
Rick Springfield discusses his guitar journey, and his mission to buy up every instrument he had to part with
The pedal-avoiding Jessie’s Girl songwriter recalls some of his best and worst purchases, and his experiences working with Neil Giraldo and Dave Grohl
Ernie Isley on the time he met Paul McCartney – and jammed on Twist and Shout
The Isley Brothers and The Beatles both found career-making hits in Twist and Shout – and the two groups would prove pivotal for each other's musical trajectories
Hannah Wicklund on opening for Yes and Deep Purple – and her undying love of Anderson Guitars
New album Live at the Troubadour was recorded during a life-changing period for the 27-year-old, who has slowed down her playing and become more open and honest with her music than ever before
Ozzy Osbourne bassist Bob Daisley on why he decided to bet on the Prince of Darkness’ post-Sabbath career
Daisley had just been unceremoniously replaced in Ritchie Blackmore’s band, Rainbow, when the opportunity to join Osbourne in his new venture came about
Martyn LeNoble was once in desperate need of bass gear – and The Who’s low-end legend came to his rescue
When he first moved to the US, LeNoble was unable to ship has trusty Trace Elliott over with him. When a local bass store couldn't provide a replacement in time, Entwistle stepped in…
Kiko Loureiro on making his first new solo material since quitting Megadeth
The Brazilian virtuoso explains how he applied what he learned from Dave Mustaine to his own music, and how he came to terms with selling his guitars
A non-shredder among metal guitarists, Katie Knipp took years to go electric – then scored a hit blues album
Inspired to explore blues by a choir singing Mozart, Knipp avoided asking advice from the big names she opened for – and even though it took 20 years, the G&L player has made it her own way
