Latest articles by Andrew Daly
Uli Jon Roth’s struggle to contain his brainchild, the Sky guitar – and why he never played Jimi Hendrix’s black Strat
The former Scorpions guitarist on how he blazed a trail in guitar modding, and why he’d like to see the Hendrix guitar on display – but not being used
Why Kiss' Paul Stanley traded his Gibsons for Ibanez guitars in the 1970s
“I was looking for a guitar that I would love,” the Kiss man told Guitar World in a recent interview
Uli John Roth on what you get when you cross a Strat and a Les Paul with a violin hybrid
After modifying Strats only got him so far, one luthier came to his rescue and they found that the sky's the limit
“He’d already set everything up... The guitar was radically out of tune and the strings were virtually hanging off it”: Leo Abrahams on his Strat-wrestling initiation with Brian Eno, why he didn’t want to be famous, and what he learned from Paul Simon
The guitarist/producer has worked with Brett Anderson, Jarvis Cocker and Imogen Heap among others, but here he explains why his younger self might be slightly disappointed in his playing
Randy Rhoads became a legend with Ozzy Osbourne, but his incredible playing was evident long before then
Kelly Garni, Rhoads’ brother in arms in Quiet Riot, recalls the guitarist’s early days – and how he developed his iconic tone, in spite of his unorthodox gear
The guitarist who saved Thin Lizzy – and made their last album hit like a “sledgehammer”
Scott Gorham pays tribute to the player who breathed new life into the band
Charlie Starr on guitar collecting, his vintage Juniors theory – and the time he was gifted a ’58 Les Paul
The Blackberry Smoke guitarist reveals his greatest guitar triumphs, the pitfalls and blessings of his Les Paul Junior addiction, and his outright disdain of “bad amps”
Eric Bell tells the tale of how he joined forces with Noel Redding after leaving Thin Lizzy as a self-confessed ‘basket-case’
Northern Irish guitarist recalls his difficult departure from Phil Lynott’s band and the strange experience of connecting with Redding – who’d never, ever talk about Jimi Hendrix
How Gary Moore came to join Skid Row at just 15 years old – and why the guitar legend left
Brush Shiels, bassist with the Irish blues rock band, explains why despite two albums plus prestigious support tours with The Allman Brothers Band and Mountain under their belt – Moore still decided to leave
Jeff ‘Skunk’ Baxter on his supergroup with Joe Walsh, sessions with Joni Mitchell and the voices of Albert King
The session great discusses being hand-picked by Gene Simmons, fitting in with James Brown, creating classic solos for Steely Dan and the Doobie Brothers, and Frankenstein acts on most of his guitars
Eva Gardner on returning to the Mars Volta, bass as a family business and rocking with Cher and Pink
Eva Gardner has played with Cher, Moby, Pink, Veruca Salt... the list goes on. Here she reveals how it all started with a bass from Andy Johns, how it's going with the Mars Volta – and what comes next
Alex Lifeson on Envy of None’s evolution, moving on post-Rush, and jams and coffee with Geddy Lee
Stygian Wavz, the new album from Envy of None, finds Lifeson showcasing his prodigious chops again. Here he talks about the gear behind it, where he is as a player, and that huge Rush box set
How George Thorogood stumbled across the Gibson that became his go-to guitar – a week before his first gig with the Destroyers
Thorogood recounts how he originally opted for a now-discontinued hollowbody – with a little inspiration from the Beatles and Keith Richards
How Bobby Koelble brought his jazz chops to Death – and made one of the greatest metal albums of all time
He left his mark on 1995 album Symbolic, and while he moved on to jazz, he still keeps metal sensibilities within his playing
Why Uli Jon Roth turned down a $9 million offer for Jimi Hendrix’s iconic black Strat
Hendrix’s “Black Beauty” was one of his go-to guitars – and he was in fact photographed with it a day before his death
Kelly Garni on how a drunken fight with Randy Rhoads spelled the end of his Quiet Riot career
Rhoads became an integral part of Ozzy Osbourne's sound and legacy, but his earlier stint with Quiet Riot – the band he co-founded with Garni – was marked by tension
“When I saw Meat Loaf, I said, ‘This is a spoof of Bruce Springsteen’”: Todd Rundgren on why his production credits run from The Band to Bat Out of Hell
Despite his past guitar theatrics, he chose production over playing decades ago – and you won’t believe how minimal his touring rig has become
Glen Matlock opens up about Sid Vicious replacing him in the Sex Pistols to become one of punk's most iconic figures
Vicious’ bad-boy image may have underpinned the band’s legacy, but Matlock insists he’s no shrinking violet either
Clem Clempson on returning to Colosseum, jamming with Jack Bruce, and his crazy Deep Purple audition
Clempson looks back on an epic career that has seen him replace Peter Frampton in Humble Pie, nearly replace Ritchie Blackmore, and tells us he's having more fun than ever with Colosseum
Ryan Hedgecock stuck to his own creative path, even when Lone Justice were torn apart
The country crossover pioneer’s desire to explore the “indigenous sound of LA” has never left him – and it’s bringing about a full-circle moment as he reactivates Parlor James and plans a hardcore cowpunk solo record
Martin Barre explains how Leslie West influenced his most iconic solo on Jethro Tull’s Aqualung
The Jethro Tull legend says his meeting with the Mountain man left an indelible mark on him as a player
Larry DiMarzio says his revolutionary bridge tweak pre-empted Van Halen’s own mods
The guitar hero’s mods showed an intimate understanding of what makes a guitar sing, and they echoed thoughts DiMarzio was also having
“That guitar is magical”: Eddie Martinez explains how he helped Run-D.M.C. bring rock to hip hop
Armed with his legendary red Hamer, Martinez stepped into one of the most iconoclastic collaborations of the '80s as Run-D.M.C. became the first hip-hop act to bring the crunch of electric guitar into the rap game
Joe Genaro on the catchy tunes, humor, and improv behind the Dead Milkmen’s classic 1985 debut album
Genaro was only a novice when the Philly punk legends tracked Big Lizard in My Backyard, but with an innovative strumming technique he had everything he needed to make their songs hit hard
![[From left] Albert Collins, Robert Crae, Johnny Copeland are pictured with their guitars for the cover of their 1985 blues classic, Showdown!](https://cdn.mos.cms.futurecdn.net/LXLhnEv5ajK8P6jFYejjaB-840-80.jpg.webp)
