
Andrew Daly
Andrew Daly is an iced-coffee-addicted, oddball Telecaster-playing, alfredo pasta-loving journalist from Long Island, NY, who, in addition to being a contributing writer for Guitar World, scribes for Bass Player, Guitar Player, Guitarist, and MusicRadar. Andrew has interviewed favorites like Ace Frehley, Johnny Marr, Vito Bratta, Bruce Kulick, Joe Perry, Brad Whitford, Tom Morello, Rich Robinson, and Paul Stanley, while his all-time favorite (rhythm player), Keith Richards, continues to elude him.
Latest articles by Andrew Daly

Keeley has invented a drive pedal that is also a weed vape – but he’s not allowed to release it
By Matt Owen published
Keeley has been prevented from selling his Vapor Drive by the strong arm of the law

Steve Jones on why Frank Carter gave the Sex Pistols a new lease on life – and where things stand with John Lydon
By Janelle Borg published
Lydon, aka Johnny Rotten, has recently stated that he will never return to the Sex Pistols

Primus’ Larry LaLonde opens up on losing his house and nearly all his gear in the devastating California wildfires
By Janelle Borg published
LaLonde estimates that he lost about 58 guitars in the wildfire, including the “Sailing on the Seas of Cheese” Strat he had since high school

Rudy Sarzo on the lifelong kindness of Ozzy Osbourne – and the miracle of his final weeks
By Andrew Daly published
The bassist stood shoulder to shoulder with Ozzy and Randy Rhoads at the height of Osbourne’s 1980s success. Now, in an exclusive interview, he recalls how the Black Sabbath icon changed his fortunes and earned his loyalty for life

Don Felder on the making of the Eagles’ The Long Run
By Andrew Daly published
Just how does a band follow an album like Hotel California? With great difficulty, is the answer. Don Felder looks back at an triumph from a band that was coming apart at the seams

“I wound up joining Spinal Tap in Phoenix and played bass along with Adrian Belew on Big Bottom. It was a huge comedy honor”: The chance encounters that led Abby Travis to play bass with Beck, Elastica, The Bangles and The Go-Go’s
By Andrew Daly published
The “pinch-hitter of bassists” explains why she prefers groove over technicality, how she approaches joining an established band, her Spinal Tap audition, and why she can’t release her next solo album

“It was painful for me to listen to Ian Anderson’s voice. I felt for him a lot”: Dave Pegg on why he quit Jethro Tull, beating Metallica to a Grammy, gigging with John Bonham and working with Nick Drake in a smelly squat
By Andrew Daly published
The proud owner of a broken Grammy award is regarded as a revelation in folk rock with Fairport Convention – but he only played bass that way because he didn’t know what else to do

Jakob Nowell opens up on using his late father’s gear and unreleased jams to create new Sublime music
By Andrew Daly published
Nearly 30 years after his father’s death, his son and bandmates are digging out archival song ideas and carrying on the Sublime legacy – the resulting album, says Jakob, is Lord of the Rings-style magic

Joe Bonamassa’s approach to the blues has triggered some purists – this is his response
By Phil Weller published
Though widely celebrated, Bonamassa isn’t without his critics – but they’re not in his mind when he’s selling out arenas

Jimmy Rip was a session man in demand by Mick Jagger and Tom Verlaine – then came a rock ’n’ roll icon
By Andrew Daly published
Armed with the Tom Verlaine’s first guitar, and his own first instrument, the 69-year-old session veteran has come home from Argentina to keep memories alive

How a support slot with Deep Purple and a last-minute guitarist replacement led to Eric Johnson meeting Christopher Cross
By Janelle Borg published
Johnson cut his teeth as a session player for the likes of Cat Stevens, Carole King, Steve Morse, and, of course, Christopher Cross

Primus’ Larry LaLonde on how he and Les Claypool ended up with off-the-rack gear from Guitar Center right before a show
By Janelle Borg published
The guitar and bass behemoths eventually auctioned off the Strat and P-Bass they bought at the last minute for charity

How LA guitarist Chris Weber laid the foundations for Guns N’ Roses in a single studio session
By Andrew Daly published
Weber’s parents lent the Axl Rose-fronted Hollywood Rose $500 to make the demo that started a rock ’n’ roll revolution. Despite being replaced by Slash and losing credit for his contributions, he wouldn’t have things any other way

Zakk Wylde looks back on his closer-than-close relationship with Ozzy Osbourne, and their final moments together onstage
By Andrew Daly published
Wylde was the Black Sabbath icon's guitarist and friend for decades. He reflects on his instant connection with the Prince of Darkness, how their relationship evolved both on and offstage, and that emotional final show at Back to the Beginning

What was Elliot Easton’s greatest gear find? The Cars legend reveals all
By Andrew Daly published
The former Cars six-stringer talks early guitar exploits, the golden age of vintage-guitar buying, and why he’s not as jazzed about amps as he is about guitars themselves

“We had our ups and downs over the years – I hadn’t spoken to Ozzy since 2017. But I always knew if I reached out, he’d be there for me”: Geezer Butler remembers the genius and humor of his friend and Black Sabbath bandmate Ozzy Osbourne
By Andrew Daly published
The Black Sabbath bassist and lyricist shares his fondest memories of the iconic frontman, their unlikely first encounter, and his one regret about Back to the Beginning

How Grace Bowers ended up on Lamb of God guitarist Mark Morton’s latest solo record
By Janelle Borg published
Bowers recently guested at the 67th Grammy Awards with Coldplay’s Chris Martin and collaborated with Peter Frampton and Trey Anastasio

How two of the pedal world’s most groundbreaking firms joined forces to make the ultimate overdrive
By Andrew Daly published
Combining two of the finest circuits in the game on one feature-packed gain pedal, the Brothers AM is the one overdrive to rule them all. Analog Man’s Mike Piera and Chase Bliss’ Joel Korte explain how it came to be

Why Skunk Baxter chose to buy a beginner guitar over a “bazillion” dollar vintage Telecaster
By Phil Weller published
Baxter pitted the two guitars against each other during a trip to Guitar Center – and there was a clear winner

Adrian Belew reflects on having his left hand repaired – and how his playing is recovering
By Janelle Borg published
Belew was diagnosed with carpal tunnel syndrome during his BEAT tour alongside Steve Vai, Tony Levin, and Danny Carey

Folk icon Richard Thompson on tuning revelations, keeping his chops up, and why you won't find him in a guitar jam
By Andrew Daly published
We meet Thompson to find out how he’s preparing to go head-to-head with Tommy Emmanuel, chat about the end of his touring days, and talk about how fresh tunings yield fresh ideas

Jimmy Rip remembers recording Jimmy Page, B.B. King, Buddy Guy and more for one of the greatest all-star albums of all time
By Phil Weller published
The project saw the producer and guitarist travel the world and record legendary players in unusual locations

Want to make as many records as King Gizzard & The Wizard Lizard? Abuse $10 amps, don’t bring songs to sessions and never get comfortable
By Andrew Daly published
Stu Mackenzie’s Australian troup have released 27 albums in 12 years, powered by a unique work ethic and ignoring how people describe the results. But they might just be starting to slow down

Paul Masvidal on taking progressive extreme metal to new heights with Cynic and Death
By Andrew Daly published
The virtuoso took a detour from heavy music to work on TV and film scores in the ’90s. Now he’s working on new material with Cynic – and a signature guitar with Kiesel. He explains how he came to join and leave Death, and how sexuality has informed his take on metal

“They stole our name – Jon Bon Jovi and Richie Sambora were listening to our records”: The tale of the original Irish Skid Row
By Andrew Daly published
Bassist Brush Shiels looks back on his lifelong friendship with Moore, why he won’t sue the American hair metal band, and how Peter Green was responsible for their first album sounding so bad
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