“I didn't want to put it down. I've missed it ever since!” Jake E. Lee played Kirk Hammett’s legendary Greeny Les Paul backstage at Ozzy Osbourne’s final show – but he almost wishes he hadn’t

Jake E Lee and Ozzy
(Image credit: Getty Images)

Jake E. Lee has joked that he regrets playing Kirk Hammett’s legendary Greeny Les Paul during Black Sabbath’s blockbuster bow out, because now it’s all he can think about.

While the onstage performances at Back to the Beginning were off the scale, backstage was also teeming with rock royalty. It provided many with the chance to rub shoulders with musicians they’d never met before, or, as was the case for Jake E. Lee and his former boss, Ozzy Osbourne, reconnect with those they had not seen in decades.

“I almost wish I'd never played it,” he laughs. “Nah – I'm glad I got to bask in its magic, if for just a while.”

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“In the Ozzy days, I had my white one, a purple burst, and a blue burst,” he explains. “Charvel reissued the white and blue ones, and I've been hassling them about getting the purple burst out there. So when this came up, I said, ‘What better promo would there be than for me to come out with a purple burst and have people start asking about it?’ So they made me one.

“It's a sweet guitar, and it's a little different from the versions Charvel has come out with,” Lee details. “It's a Gibson-scale length, with the jumbo frets up to the 12th and then thinner frets above that. I can get a little more meat on the string and a little more wood underneath. It's a roasted maple neck, and the body – I think they call it ‘cooked ash,’ so it's lighter, and they get all the moisture out of it.”

Jake E Lee and Ozzy Osbourne

(Image credit: Getty Images)

Lee goes on to say he hopes the “beautiful” guitar will receive a proper production run, and he won’t be alone in thinking that. For now, fingers will be crossed.

Jake E. Lee’s full interview with Guitar World features in the latest issue of the magazine, which has just been released. Head to Magazines Direct to grab a copy.

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

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