Matt Owen
Matt is the GuitarWorld.com News Editor, and has been writing and editing for the site for five years. He has a Masters in the guitar, a degree in history, and has spent the last 19 years playing everything from blues and jazz to indie and pop. During his GW career, he’s interviewed Peter Frampton, Zakk Wylde, Tosin Abasi, Matteo Mancuso and more, and has profiled the CEOs of Guitar Center and Fender.
When he’s not combining his passion for writing and music during his day job, Matt performs with indie rock duo Esme Emerson, and has previously opened for the likes of Ed Sheeran, Keane, Japanese House and Good Neighbours.
Latest articles by Matt Owen

By Matt Owen Published
A complete pedal range overhaul, the return of the Nocaster, a new Silent System for Strats and Teles, plus some – dare we say – awfully Silver Sky-looking finishes

By Matt Owen Published
My personal highlights from a week filled with Fenders, Epiphones, pedals and more. Have a highlight of your own? Let us know in the comments

By Matt Owen Published
High-output pickups, Floyd Rose bridges, baritone Jaguars – the Player Fusion range might be the final piece in the Player puzzle

By Matt Owen Published
Pike's departure comes alongside the band's first new single since 2018, which debuts a new-look lineup ahead of a North American tour

By Matt Owen Published
Rhys John Stygal has received support from Kenny Wayne Shepherd, Jared James Nichols and Gary Glark Jr. after his guitar and pedalboard were stolen in Austin, Texas

By Matt Owen Published
Edward 'Bud' Cole discussed the company's controversial legal campaign at a recent dealer event in the US

By Matt Owen Published
Osborne couldn't afford a B-Bender at first, so instead he got good, really good, at emulating the pedal steel sound without one

By Matt Owen Published
Tim Henson and co have released a surprise new single that ushers in a whole new genre – and CAN YOU FEEL IT has got guitar fans talking

By Matt Owen Published
Dance-djent becomes a thing as Polyphia gear up to release their hotly anticipated new record – and as they promised, it’s sounding heavy

By Matt Owen Published
Kravitz's straight-into-the-amp setup – which has been at the core of his sound for most of his career – left pedal fan Prince with his jaw on the floor

By Matt Owen Published
Armadillo Distribution Enterprises and Concordia LLC have jointly filed for a court-supervised reorganization as they look to safeguard their future

By Matt Owen Published
The original ES-355 was Lifeson's main guitar for decades, featuring on almost every Rush record before it was sold at auction in 2022

By Jonathan Horsley Published
In 2009, the Trademark Trial and Appeal Board denied trademark protections to the Strat, Tele and P-Bass. How did it arrive at its judgement? And what’s different this time?

By Matt Owen Published
Fresh new drops from Epiphone, JHS Pedals, Fender, Positive Grid and more...

By Matt Owen Published
The jazz-funk guitar star was on his way to play the Crossroads Guitar Festival when Mayer messaged him

By Matt Owen Published
Mayer left Fender after his wishes for an elevated S-style fell on deaf ears – and he found the perfect partner in PRS and the Silver Sky

By Matt Owen Published
If a recent social media post is anything to go by, the tube amp traditionalist may be coming around to digital guitar tech

By Matt Owen Published
Positive Grid is branching out from the market-conquering Spark family with a bold new lineup that could spell trouble for the Boss Katana

By Jackson Maxwell, Matt Owen, Janelle Borg, Michael Astley-Brown, Matt Parker Published
From The Rolling Stones to Julian Lage, Tamikrest to the Warning, this month's guitar greatness spanned many generations of players

By Matt Owen Published
Fender's cult classic offset, beloved by The Beatles and beyond, is back and supposedly better than ever

By Matt Owen Published
This has now become the highest-profile case of the entire dispute, and could well be one of the most hotly contested

By Phil Weller Published
Morse has become one of Ernie Ball’s most loyal and high-profile endorsers – and it all started with a broken volume pedal

By Matt Owen Published
Fender might not be declaring war after all – but if its legal campaign succeeds, the guitar market will change forever

By Matt Owen Published
Ron Bienstock, the attorney who defeated Fender's previous attempt to trademark the Strat, has been hired to defend a firm hit by recent cease-and-desist letters – and Guitar World has seen a redacted response
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