Matt Owen
Matt is the GuitarWorld.com News Editor, and has been writing and editing for the site for five years. He has a Masters in the guitar, a degree in history, and has spent the last 19 years playing everything from blues and jazz to indie and pop. During his GW career, he’s interviewed Peter Frampton, Zakk Wylde, Tosin Abasi, Matteo Mancuso and more, and has profiled the CEOs of Guitar Center and Fender.
When he’s not combining his passion for writing and music during his day job, Matt performs with indie rock duo Esme Emerson, and has previously opened for the likes of Ed Sheeran, Keane, Japanese House and Good Neighbours.
Latest articles by Matt Owen

By Matt Owen Published
Fender might not be declaring war after all – but if its legal campaign succeeds, the guitar market will change forever

By Matt Owen Published
Ron Bienstock, the attorney who defeated Fender's previous attempt to trademark the Strat, has been hired to defend a firm hit by recent cease-and-desist letters – and Guitar World has seen a redacted response

By Janelle Borg Published
Gabe Dalporto gives his take on why gearheads should contribute their ideas to Guitar Center’s new Guitar Lab initiative

By Matt Owen Published
Terry was Clapton's guitarist in the 1970s, and through Slowhand he was able to meet a particularly famous face

By Matt Owen Published
Medlocke rejoined Lynyrd Skynyrd as their new guitar player in the early 1990s, and one of his main responsibilities ever since has been to tackle Allen Collins’ legendary lead effort

By Matt Owen Published
New AZ models from Ibanez, a fresh baritone for Ed Sheeran, and the final piece of Misha Mansoor's Jackson Juggernaut jigsaw all headline this week's roundup

By Matt Owen Published
Fender has been widely criticized after it allegedly sent cease and desist letters to multiple builders that make Stratocaster-inspired guitars

By Matt Owen Published
Fender’s decision to issue cease and desists to builders of Stratocaster-inspired electric guitars has been widely panned – but some argue it is their right to do so

By Matt Owen Published
Family-run LsL Instruments is seeking to raise funds for its legal battle against Fender, which has instructed the firm to stop making its S-style guitars

By Matt Owen Published
An Angine de Poitrine-inspired double-neck, another cool collab from Fender, and the ultimate Tube Screamer clone? All that and more in this week's gear round-up

By Matt Owen Published
Bernie Leadon left the band amid a changing lineup and creative differences

By Matt Owen Published
Mgk caused a stir when Schecter dropped his razor blade signature in 2024 – now he’s explained why he opted for the divisive design

By Matt Owen Published
Marshall is celebrating 60 years since the late guitar legend first plugged into one of its amps

By Matt Owen Published
The Squeeze frontman used the prized Strat during the band’s early days – and he’s been missing it ever since

By Matt Owen Published
Slowhand didn't come out for an expected encore after he was struck in the chest by what appeared to be a vinyl record

By Matt Owen Published
Dimebag's estate sued Dean Guitars owner Armadillo Distribution Enterprises in 2021 over breach of contract and trademark disputes

By Matt Owen Published
The rebirth of B.B. King's first acoustic, a leading Dumble clone in plugin form, another spin-off of the famed Big Muff – all that and more in this week's round-up

By Michael Astley-Brown, Janelle Borg, Jackson Maxwell, Matt Owen, Matt Parker Published
Fresh new cuts from all corners of the guitar world courtesy of Muse, Arlo Parks, Jack White, Ed O'Brien, Weezer, Periphery, and more...

By Matt Owen Published
Sambora was recently reunited with his prized 1976 Gibson Explorer, 41 years after it was stolen out of a warehouse

By Matt Owen Published
The prog metal virtuoso has a wild vision for what their joint single could potentially look like

By Matt Owen Published
The Greta Van Fleet guitar hero looks back on how he first crossed paths with the guitar he affectionately calls The Beloved

By Matt Owen Published
Despite a slightly chilling past, Vai used the space as a functioning studio and a home for his guitar collection, which included guitars personally gifted to him by Yngwie Malmsteen and Joe Satriani

By Matt Owen Published
NAMM 2026's Best in Show winner promises to provide an immersive insight into the future of guitar effects pedals – but is the potential of this stompbox well and truly endless?
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