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Since 1980, Guitar World has been the ultimate resource for guitarists. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is the place to look.

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“I have a Southern accent, and it’s the same on the guitar. I adapted the guitar to do the talking for me when I was too shy”: Marcus King on why your fretboard has its own language – and how mental health became his muse

“When we learn to improvise, the first thing we pay attention to is where to put our fingers… rarely do any of us pay attention to the rhythm of a melody or lick”: Can’t figure out why your improvised solos don’t feel right? Here’s how to fix them

“I played a 5-string with Lauryn Hill, but it didn’t feel like a real bass”: Raised on R&B, schooled by fusion, and empowered by punk rock, Bad Brains bassist Darryl Jenifer remains a 4-string purist

“Zoom discontinued that pedal because nobody bought it – but bass players are always coming up to me wanting to know how I got those sounds”: Remembering jazz great Victor Bailey, who used an unsung multi-FX pedal for his cover of Prince’s biggest hit

Proggy Pentatonic! How to Use the Good Ol’ Pentatonic Scale in Cool New Ways

“I had a hard time playing in tune. The producer stopped me and said, ‘George, tune up again.’ I didn’t realize the value of that until Breezin’ came out”: How George Benson landed a hit album by breaking the rules – and learning to play in tune

“Even though a Marshall sounded fantastic, I refused to play one. That’s my bad… I had a terrible sound for years”: Punk-grunge icon Donita Sparks on ironic gear choices, L7’s infamous Reading Festival set and why recording with Butch Vig was “maddening”

“I bought my ’54 Strat from the biggest dealer in Sweden – he was crying when I walked away with the guitar”: Brian May, Steve Vai and Neal Schon have all given Yngwie Malmsteen guitars – but nothing compares to his Fender Strats

“If there was ever a time to get off the rollercoaster, it was going to be at the top”: Being in a band is tough – just ask bassist Dirk Lance, who left Incubus at the peak of their powers

“Trying to emulate these different players was a challenge. Chris Poland to Marty Friedman is like night and day. But that’s what excites me”: Glen Drover grew up idolizing Megadeth and King Diamond’s guitar heroes – then he had to step into their shoes

“Many players think that the pickups are the main contributor to the way a guitar sounds… But if you change what the string does, that changes the guitar”: How Andy Powers rethought electric guitar design for the Powers Electric A-Type