“Why wouldn’t you stay in the Sphere and make a lot of money? Because it’s not as much fun. It doesn’t last forever. Look at how many musicians have passed away. What are you going to do with what you have?” Trey Anastasio explains Phish’s joyful rebirth

Trey Anastasio of Phish with his Languedoc semi-hollow electric guitar
(Image credit: Future / Danny Clinch)

Most bands that survive for four decades enter into a nostalgic phase of their career. But Phish is on fire in year 41. The quartet, which formed in 1983 in Burlington, Vermont, released Evolve, their 16th studio album, in July.

Their 26-date summer tour includes Mondegreen, a four-day gathering in Dover, Delaware, that is their 11th festival and first since 2015. And they launched the year with a New Year’s Eve performance of Gamehenge, a song suite they hadn’t played since 1994, and which had taken on almost mythical status amongst fans. The two-hour performance included a cast and a production team that rivaled a Broadway show.

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