Review: Hughes & Kettner Black Spirit 200

(Image credit: Hughes & Kettner)

Most people aren’t aware of the existence of the drum mafia or printer syndicate, but, trust me, you’ll find out about them if you ever invent a pair of drumsticks that don’t break or a cartridge that doesn’t run out of ink. You just won’t be able to tell anyone about it. Fortunately, there's apparently no amp mafia as numerous manufacturers are doing everything they can to provide guitarists with amplification products that can provide every sound they’ll ever need and at prices that keep getting lower every day. (Insider’s tip: Sell your amp collection now while you can still get good money for it!)

The Hughes & Kettner Black Spirit 200 is the latest such product to tempt guitarists. Hughes & Kettner explains it best: “The sound experience and feel of a high-quality tube amp circuit. The flexibility and versatility of a modeling amp. The ease of use and robustness of a transistor amp. All this is contained within Black Spirit 200.” I’ll add that it looks like a traditional guitar amp, sounds like any guitar amp and operates like a multi-channel guitar amp, but because it’s packed with an abundance of features and sounds, it’s completely unlike any guitar amp we’ve ever experienced before. And it costs less than $800. We’ll do our best to cover the main attractions below.

FEATURES Do not turn the page: The Black Spirit 200 features an all-analog signal path, but it truly sounds, feels and reacts like a tube amp. It delivers an impressive 200 watts of output power that can be scaled down to 20 or 2 watts and provides four distinctly voiced channels: clean, crunch, lead and ultra. There are also built-in effects (reverb, delay and modulation, i.e. chorus, phaser, flanger and tremolo), a noise gate and Hughes & Kettner’s acclaimed Red Box AE+ with eight cabinet emulations.

All of the front-panel controls are fully programmable and laid out in a very easy-to-use configuration. There’s a four-position switch for selecting the channel and a single set of gain, volume, bass, mid, treble, noise gate and sagging controls (control settings are saved in memory so redundant knobs for each channel aren’t necessary), which do double duty as cab type, reverb, delay level, feedback, delay time, mod type and intensity controls when the effects section is engaged via the FX Access switch. The master section features master volume, presence and resonance controls, and boost, FX loop and store buttons complete the front-panel configuration.

(Image credit: Hughes & Kettner)

On back are ¼-inch send and return jacks for the effects loop, a 1/8-inch auxiliary input, MIDI In and Out/Thru jacks, the Red Box AE+’s XLR DI output, mic/line and on/off switches, a ¼-inch speaker output (8-16 ohms), output power switch (200/20/2 watts) and guitar cab/full-range cab switch. The amp also offers Bluetooth connectivity (for programming via a forthcoming iPad app and audio streaming). All of this comes in an amp head chassis that’s the size of an average lunchbox amp and weighs less than eight pounds. [mic drop]

PERFORMANCE I have played many modeling and amp emulation products that made me consider selling the 50 or so amps I have in my studio, but the Black Spirit 200 has me convinced that now is the time to unload. With the exception of perhaps the quirkiest shoe-box-sized combos from the Fifties and Sixties with junkyard speakers, the Black Spirit 200 produces an astounding range of tones that will satisfy the most discriminating amp connoisseur, particularly fans of the classics that begin with F, M and V as well as a full alphabet’s worth of modern boutique tones.

Although the amp works on an analog platform, any blindfolded tone tester would be convinced it’s a tube amp as the feel and harmonic complexity is dead on, particularly thanks to the innovative Sagging control and Spirit Tone Generator technology. Want clean tones with sparkle and balls? It’s here. Gritty overdrive with raunchy attitude? Ditto. Massive high-gain distortion grind that’s bigger than Kanye’s ego? Yes sir.

So many great tones abound within the Black Spirit 200, but saved presets are only accessible via the forthcoming free app or the optional Hughes & Kettner FSM-432 MK III MIDI board, which is absolutely essential for gigging guitarists who want to instantly access all of the amp’s sonic goodies on stage. However, even without those items it is very easy to dial in exactly the sound you’re looking for as the controls are all familiar and intuitive.


MANUFACTURER: Hughes & Kettner,

● Output power settings are adjustable to 200, 20 and 2 watts to support any application from stage and studio performance to practice ● Four separate channels (clean, crunch, lead and ultra) provide the building blocks for a wide variety of classic and modern amp tones ● Built-in effects include reverb, delay and a selection of modulation effects (chorus, phaser, flanger and tremolo) ● A built-in Hughes & Kettner Red Box AE+ provides outstanding direct output tones with a selection of eight emulated speaker cabinet options  

THE BOTTOM LINE The Hughes & Kettner Black Spirit 200 delivers the versatility of today’s high-tech amp modeling products without sacrificing the ease of use and familiar controls (and even look) of a traditional amp

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Chris Gill

Chris is the co-author of Eruption - Conversations with Eddie Van Halen. He is a 40-year music industry veteran who started at Boardwalk Entertainment (Joan Jett, Night Ranger) and Roland US before becoming a guitar journalist in 1991. He has interviewed more than 600 artists, written more than 1,400 product reviews and contributed to Jeff Beck’s Beck 01: Hot Rods and Rock & Roll and Eric Clapton’s Six String Stories.