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Guitar World Staff
Guitar World Staff

Since 1980, Guitar World has been the ultimate resource for guitarists. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is the place to look.

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Lowden F-12 Spruce Top: the Spruce-fronted flat‑top acoustic features Lowden’s all-new lightweight bolt-on neck joint system.

“A fully fledged Lowden that will relish everything from sofa noodling to professional gigs, once the pickup of your choice is installed”: Lowden F12 review
A Benson Amps Deep Sea Diver Fuzz-Echo pedal sits atop a burgundy mist metallica Jazzmaster

“Simply put, it has become the most interesting and versatile pedal on my board”: Benson Amps and Deep Sea Diver guitarist Jessica Dobson launch the Fuzz-Echo pedal
Melissa Etheridge plays a Fender Thinline Telecaster and performs "Piece of My Heart" at the 2005 Grammys

“She walked in and said, ‘My wife is Melissa Etheridge. She has cancer. I want to get her something special’”: Melissa Etheridge on how she came to own a “museum quality” Fender from Norman's Rare Guitars – which she played at the 2005 Grammys
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Ben Eller
“Bill, Troy and I were rocking it – I took a step back, only to clip my heel on a monitor wedge. I went ass-over-teakettle”: How Ben Eller went from Mastodon super-fan to filling in for Brent Hinds – and taking it all in his stride
George Harrison wears white and plays acoustic guitar onstage in 1974
“He only had that little spotlight in every Beatles song – George Martin telling him what he could or couldn’t play. That’s what helped create that later style”: Dhani Harrison on the making of Living in the Material World – and George’s slide style
Keyboard player David Stone, bassist Bob Daisley and guitarist Ritchie Blackmore from rock band Rainbow play at World Stage rehearsal studio in Los Angeles in June 1977.
“People had warned me how Ritchie chewed up and spat out musicians. Rainbow had already auditioned 40 bass players!” From Ritchie Blackmore to Ozzy Osbourne, Bob Daisley has worked with rock’s heaviest heroes
Manuel Gagneux of Zeal & Ardor pictured onstage, arms outstretched with his Aristides electric guitar, on a stage light in red
“My technique is terrible – I don’t even use my pinky. I’m worried that if I learn to play in a technically correct way, my creativity will disappear”: Manuel Gagneux on why you shouldn’t sweat the technique – and expanding Zeal & Ardor’s radical sound
Dick Dale, wielding a Fender Stratocaster, performs onstage
“I said, ‘Mr. Fender, I’m Dick Dale. I’m a surfer and I have no money. Can you help me?’ He looked at me and said, ‘Here, try this guitar’”: How Dick Dale made the Stratocaster the ultimate surf-rock weapon
Fender Flagship Tokyo composite image of outside and inside store
“If fashion brands and computer brands can do it, why can’t we?” I journeyed to the only dedicated Fender store in the world – and found out how it could change the future of guitar retail as we know it
Carol Kaye playing bass guitar in a Los Angeles recording studio, early 1960's
“We took 36 hours to cut Good Vibrations. We knew it was a big deal”: Carol Kaye’s 10 greatest basslines
Tim Rockmore
“The Food Network couldn’t spend all day mic’ing a guitar amp. Every time I went into the studio, the engineers would say, ‘Don’t bring your amp’”: Meet Tim Rockmore, the TV and session veteran who’s recorded entire tracks with a Fender headphone amp
American singer Tom Araya of Slayer performs live on stage during Rock am Ring at Nuerburgring on June 8, 2019 in Nuerburg, Germany.
“A lot of Slayer riffs aren’t really for bass players – there’s just too many notes”: Slayer’s Tom Araya charts his incredible 4-string journey
Marty Friedman with a figured-top Jackson guitar with a reverse headstock, circa '90/'91, in an image with a yellow filter shot with a bokeh effect
“I would bring this guitar out once or twice because it looked like a curvy version of my main guitar”: Marty Friedman takes us back to Megadeth’s Countdown to Extinction era to tell the story behind one of the rarest Jackson guitars ever