“I learned a lot of [scales] in blocks. So, when I play, my mind goes, I’m in this block‚ I’m in that block‚ I’m in this block‚ [pointing at different areas of the fretboard]; and then so on and so on.
“I learned how to play in every key on every fret and that was a big thing. You find a lot of these extra notes‚ just in the process of moving down the neck.”
Learn these five pentatonic scale shapes and, just like Joe Bonamassa, you’ll be able to improvise solos that cover the entire fretboard, thinking in blocks as you go.
The most important thing to note is that all five shapes are the same scale; that’s why you are guaranteed to be in one key across the whole fretboard. Simply move each shape up one fret to play in Bb – move up another fret for B, and so on.
Building the chord sequence
Marcin’s percussive fingerstyle is dropping jaws with its stunning mix of speed, complexity and explosive dynamics. The warm-ups that fuel his virtuosity are guaranteed to boost your own playing
It’s the flamenco technique that lit the rhythmic fire under Marcin and Paco de Lucía, and treats all four fingers and thumb as separate plectrums – why learning rasgueado will give your picking hand a huge turbo boost
