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Gibson is planning a major change to the entire Epiphone guitar line-up

Epiphone headstocks
(Image credit: Future)

Despite a PR misfire or two, Gibson has had a positive 2019, overhauling its entire range and bringing it in closer in line with what guitarists actually want - and a surprise statement from CMO Cesar Gueikian indicates there could be good news for Epiphone fans, too.

In a recent Instagram post, Gueikian shared a picture of a host of classic Gibson and Epiphone parts, including scratchplates, pickup selector rings and vintage Epiphone headstocks.

When Instagram user cwwoodhead commented, “You should switch all the Epi headstock[s] to that shape”, Gueikian issued a brief but telling response: “it’s coming”.

For many players, the open-book headstock design that appears on vintage Epiphone models and modern-day Gibson guitars is classier than the slightly blockier Epi variant that tops off the majority of the lower-cost company’s range.

So the news that the entire Epiphone range will now bear a closer - although not identical - resemblance to Gibson’s line-up is most welcome news indeed, and even indicates a vintage-spec’d refresh could be on the cards, along the lines of what Gueikian enacted with Gibson’s well-received 2019 series.

Tellingly, when Epiphone relaunched the Del Rey Double Cut as the DC Pro earlier this year, the company changed the headstock from the Epiphone original to a slightly elongated open-book design.

Epiphone headstocks

A typical modern-day Epiphone Les Paul headstock (left) and the company's more vintage-styled, open-book DC Pro offering (right) (Image credit: Future)

This could also be a serious power play from Gibson to overtly showcase Epiphone’s Gibson DNA and clearly differentiate it from other mid-priced Les Paul and 335-style guitars - especially in the wake of the company's clampdown on counterfeits, and ongoing lawsuit against Dean Guitars.

We have one more addendum to that Gueikian post, though: can we get a Fuzz-Tone reissue, too, pretty please?

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Mike is Editor-in-Chief of, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as the best part of 20 years performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.