Brandon Ellis laid down the gauntlet to Jackson’s Master Builders with this 27-fret Gold Crackle Kelly – is this one of the most challenging custom builds ever made?

Jackson has just launched a new YouTube series, Nightmare Machines, in which it documents some of the firm’s most mind-blowing custom-made electric guitars – and first up is this 27-fret Gold Crackle Kelly build for The Black Dahlia Murder guitarist Brandon Ellis.

While your eye is caught straight away by the stunning finish, there’s a wealth of forward-thinking features packed into the instrument’s construction – among them, a 27-fret fingerboard, a Huntag titanium locking tremolo, Schaller locking gold tuners and a Jackson PC-1 Sustainer neck pickup – and that's barely scratching the surface.

Combining them all took a skilled hand – or rather a pair of them, attached to Jackson Custom Shop masterbuilder Joe Williams. 

“When we started talking about it and Brandon was throwing out all of these specs, I wasn’t sure,” admits Williams in the clip. “Now that it’s all done, it’s gorgeous. I can’t walk down the hallway without people stopping me and saying, ‘What is that!?’”

Jackson Custom Brandon Ellis 27-Fret Gold Crackle Kelly

Brandon Ellis dished out a challenging spec for this 27-Fret Gold Crackle Kelly (Image credit: Jackson USA / YouTube)

In the clip, the Jackson man explains that just getting the neck to the right size was a challenge as the thickness of the paint required for a finish that combined metal flake and crackle effects would alter the final measurements. 

The neck and maple fretboard, in particular, are worthy of closer attention. On top of that 27-fret ‘board (beautifully angled to snugly meet the offset neck pickup), there’s a 14-16” compound radius and frets 15 to 27 have been scalloped. What’s more, the crackle style fret markers are actually a finely cut reconstituted stone, inlaid on the maple.

Jackson Custom Brandon Ellis 27-Fret Gold Crackle Kelly

The 'board is shaped to encompass 27 frets (which are scalloped at the upper end) – snugly meeting the offset neck pickup in the process (Image credit: Jackson USA / YouTube)

On top of all this, Ellis spec’d a tricky flame maple binding to continue around the headstock. Given the material is prized for its rigidity, we wouldn’t fancy the task of bending it around a pointy Jackson headstock, but Williams has made it look superb here.

On the electronics side, Ellis spec’d the Seymour Duncan Parallel Axis humbucker in the bridge, which uses parallel dual-pole pieces under each string. The PC-1 Sustainer in the neck is mainly for studio use. Williams says it’s “hardwired for maximum intensity” and is activated by pulling out the volume control.

Finally, there’s a Scahller Sure Claw spring tensioner in the rear, allowing for quick adjustments of the tremolo system’s spring tension, without removing the rear panel.

Ellis and Williams have been frequent collaborators – this being the Black Dahlia man’s third custom shop build – and it’s fair to say the former really laid down the gauntlet with this one. However, it seems Ellis – like the rest of us – has been blown away by the result of Williams’ labors.

Jackson Custom Brandon Ellis 27-Fret Gold Crackle Kelly

The Huntag titanium locking tremolo. Williams says: ”We call it the Rolex of Floyd bridges” (Image credit: Jackson USA / YouTube)

“It’s one of the greatest honors of my life to work with the guy and call him my friend,” says Ellis. “This guitar is so insane, it’s my prized possession and I’m so proud of how it turned out. I love this thing to pieces.

“I don’t even think of it like I designed this guitar. It’s like it was out there, it existed, and I found it and I brought the idea into real life – that’s honestly how it feels.”

You can view the full Nightmare Machines clip above, and keep an eye on Jackson’s YouTube channel for more episodes in the series.

In the meantime, for another forward-thinking (albeit less exclusive) Jackson build, check out this seven-string Rhoads signature for Suicide Silence guitarist Mark Heylmun.

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Matt Parker

Matt is a staff writer for GuitarWorld.com. Before that he spent 10 years as a freelance music journalist, interviewing artists for the likes of Total Guitar, Guitarist, Guitar World, MusicRadar, NME.com, DJ Mag and Electronic Sound. In 2020, he launched CreativeMoney.co.uk, which aims to share the ideas that make creative lifestyles more sustainable. He plays guitar, but should not be allowed near your delay pedals.