Latest about Genesis
Phil Collins' go-to guitarist, Daryl Stuermer, reveals his Parkinson's diagnosis
Genesis’ “permanent part-time” member reflects on the challenges he encountered during the band’s The Last Domino? Tour, which ultimately led to his diagnosis
Steve Hackett on his pedalboard, the illusion of noise, and why prog players need a volume pedal
The Genesis alumnus and prog trailblazer reveals what's on his pedalboard and explains the need for dynamics and the “delinquent” sounds
Mike Rutherford reveals his secret studio sessions with Eddie Van Halen – and sheds light on their unreleased songs
Van Halen had just come across Rutherford's second solo album when he called the Genesis co-founder to collaborate
Mike Rutherford’s “lead” bass approach helped demystify the low-end for prog rock cornerstone Genesis
The departure of guitarists Anthony Phillips and Steve Hackett cleared the way for Rutherford's angular bassline on this Genesis classic
Steve Hackett on his Genesis era claustrophobia and why he recorded with a Brian May Red Special
The British guitar icon discusses the tones and techniques behind new album The Circus And The Nightwhale – and reflects on the ’what-ifs’ of his time with prog greats Genesis
Steve Hackett on discovering two-hand tapping: "It's the guitar-playing equivalent of splitting the atom – it influenced more people than I could have possibly imagined"
One of prog's greatest players reflects on pioneering the revolutionary soloing technique, and shares his thoughts on the Genesis reunion tour – and what the band would have sounded like had he stayed
Watch Genesis play their last-ever gig at London's O2 Arena – with former frontman Peter Gabriel in attendance
The English rock veterans played 23 tracks, including Land of Confusion, No Son of Mine, Mama and I Can't Dance
Mike Rutherford: “The Strat can be anybody – it covers all kinds of moods. Other guitars like Gibsons have a sort of one-sound thing, I think”
The Genesis guitarist and bassist talks the gear that's powered the band's sound over the years – including a lowly £120 Strat – and reflects on touring for what may be the final time
