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January 2016 Guitar World Gear and Lesson Videos

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These videos and audio files are bonus content related to the January 2016 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.

Lesson Videos

• Joe Satriani's Guide to Building Chords from “Stacked” Fourths — Video
• Tommy Emmanuel's Guide to Developing Hand Independence, and More on “El Vaquero” — Video
• Holcomb-Mania with Mark Holcomb: How to Craft a Long Riff with No Repetition — Video
• String Theory with Jimmy Brown: How to Play the Remaining Hypnotic Arpeggios in Beethoven's “Moonlight Sonata” — Video
• In Deep with Andy Aledort: Exploring the Incredible Style of Chicago Blues Guitar Legend Magic Sam — Video

Audio Lesson Files

• Acoustic Nation with Dale Turner: The Ragtime-Influenced Fingerpicking of Rev. Gary Davis

Gear Review Videos

• Review: Gretsch G6136T-LTV White Falcon — Video
• Review: Orange Micro Dark Guitar Amp — Video
• Review: Taylor 612e 12-Fret Guitar — Video
• Review: Relish Guitars Walnut Jane — Video
• Review: Electro-Harmonix Pitch Fork Polyphonic Pitch Shifter/Harmony Pedal — Video

Guitar World Staff
Guitar World Staff

Since 1980, Guitar World has been the ultimate resource for guitarists. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is the place to look.

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Prince (left) and Levi Seacer Jr perform onstage at Brabanthallen in Den Bosch, Netherlands on August 9, 1992
Prince was a master guitarist with a singular musical vision, but he didn't always go it alone on the instrument. These are the oft-overlooked players who joined him onstage, and in the studio
Jonathan Hultén wears white makeup and black lipstick and eye-liner and is photographed in the woods with an Ibanez acoustic electric guitar
“I will use mattresses for isolation and try not to bother the neighbors too much… I was just following the songs to see what happens”: How Jonathan Hultén channeled Nick Drake’s Pink Moon and recorded an entire album in his walk-in closet
David Hood of the Muscle Shoals rhythm section (The Swampers) performs on stage with Traffic at Birmingham Town Hall on Wednesday March 20 1973. He plays a Fender Jazz bass guitar.
“Paul Simon called Stax and said, ‘Who are those Jamaican musicians?’ They told him, ‘Those are some white boys from Alabama!’” David Hood on being starstruck by Aretha Franklin, what Otis Redding taught him, and tales from golden age of Muscle Shoals
The Legendary Eddie Hazel of Parliament-Funkadelic poses in a black-and-white archive pic; while his successor, Michael Hampton, aka Kidd Funkadelic, wears a cape and plays a solo onstage with George Clinton's band.
“Even today, there’s little nuances that Eddie did, and I can get close, but it’s about trying to capture the feeling”: Why George Clinton’s P-Funk All Stars never shined so bright as when ‘Kidd Funkadelic’ and Eddie Hazel joined forces on Maggot Brain
Mike Inez of Alice In Chains performs on stage on Day 3 of Sonisphere Festival on August 1, 2010 in Knebworth, England.
“A personal crowning moment for me was having Lemmy ask me to play on a Motörhead record!” Alice in Chains’ Mike Inez on why Cliff Burton ruled, Paul McCartney's influence – and what John Entwistle told him (that he already knew)
King Diamond and guitarist Andy La Rocque: The King is in his traditional stagewear, undertaker's hat, crossbones mic stand, totally morbid corpsepaint. La Rocque frets a chord on his signature ESP.
“Listening to Yngwie Malmsteen, Steve Vai, Paul Gilbert… all kinds of crazy-fast players. And you tried to keep up with them”: Andy La Rocque on why he is no longer a 120mph soloist – and what we can expect from the long-awaited King Diamond album
Randy McStine plays a sunburst Les Paul as he performs with Steven Wilson.
“This was specifically wanting it to have the sort of grandiosity of a Comfortably Numb-type guitar solo but without really referencing that vocabulary”: Randy McStine reveals all behind his cosmically epic solo on Steven Wilson's The Overview
Chris Holt
“I play the double-neck and trade solos with Joe Walsh on Hotel California. It’s a bit terrifying, but it’s the greatest thing ever”: Chris Holt landed The Eagles without an audition – but his gigs with Mike Campbell and Don Henley might have helped
Elliott Easton of the Cars plays a black Danelectro singlecut on a stage lit in purple.
“John Lennon hated doubling his vocals. The chief engineer at Abbey Road came up with a way to add a delay and put it onto another track. That’s what that pedal does”: The Cars’ Elliot Easton on the secrets of his pedalboard – and the wizard who made it
Mae Semones
“I wasn't familiar with PRS. If anything, I was like, ‘The birds are too flashy!’ But the moment I played one I was like, ‘Whoa, I can play faster now!’”: Meet Mei Semones, the Berklee graduate reimagining New Orleans vibes with an intricate indie flair