Having opened a Pandora's box with their critically acclaimed and commercially successful album Sgt. Pepper's Lonely Hearts Club Band, The Beatles faced serious competition from a variety of openminded artists who were expanding rock music's barriers.
Just as an overworked Lennon and McCartney came up with an overnight masterpiece in 1964 with "A Hard Day's Night" amid a stressful filming and recording schedule, the Beatles responded to time constraints in 1965 with another monumental step forward called Rubber Soul.
Universal Music Group has announced that George Harrison's first six solo albums, which were released between 1968 and 1975 on the Beatles' Apple Records label, have been digitally remastered from the original masters for CD and digital release on September 23 via Capitol/UMe.
Whether it was jealousy, ego or apathy, the other members of the band didn't seem to care too much for the tune when Harrison introduced it to them and attempted to record initial takes on August 16. After more work on the song on September 3 and 5, he decided he didn't like what he heard and scrapped the recording.
John Lennon wrote this gentle folk-rock ballad in the autumn of 1965 at his home in Kenwood, St. George’s Hill Estate, Weybridge, Surrey. Just as "Yesterday" mysteriously came to Paul McCartney, "Nowhere Man" simply came to Lennon at dawn after he'd stayed up all night, struggling to come up with a new song for Rubber Soul. He happened upon a phrase, "nowhere man," which, he felt, described his own fears about himself.
Guitarist/singer/songwriter Jackie Lomax died Monday, September 16, at age 69. He died on on the Wirral Peninsula in North West England, which he was visiting to attend the wedding of one of his children. Although Beatles fans will most likely remember Lomax for recording a George Harrison-penned track called "Sour Milk Sea" in 1968, Lomax originally rose to prominence as a member of a Merseybeat group called the Undertakers in the early ’60s.
When recording With The Beatles, producer George Martin frequently bounced tracks from one two-track tape recorder to another in order to add additional overdubs. The technique became less necessary when Abbey Road began making four-track recorders available to The Beatles around the time of A Hard Day's Night.