“Harrison put the SG into immediate use on recording sessions for Revolver”: George Harrison’s 1964 Gibson SG Standard is officially part of the multi-million dollar guitar club – but as a piece of Beatles history it’s priceless

George Harrison's 1964 Gibson SG Standard
(Image credit: Future/Joby Sessions)

“With The Beatles, George Harrison was a confirmed Gretsch fan – with the occasional Rick 12, for sure,” guitar historian Tony Bacon observes. “As for Gibson, however, in Beatle terms that was a late development for George.

“He’d owned and briefly used an ES‑345, but there he was at London’s Empire Pool in May 1966 playing a rather nice looking SG Standard. George acquired his SG probably in the early months of ’66 – it shipped from Gibson in October ’64.”

Amelia Walker of Christie’s – which recently sold the guitar for $2,271,000 at auction – says that the SG became a go-to guitar that saw a surprising amount of service over a two-year period at a crucial juncture of the band’s career.

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George Harrison's 1964 Gibson SG Standard

(Image credit: Future/Joby Sessions)

“George Harrison played the Gibson SG both on stage and in the studio from 1966 to 1968,” Amelia says of this guitar, made early in the production run of ‘true’ SGs.

“He would put the guitar into immediate use on recording sessions for the Beatles 1966 studio album Revolver, including on the tracks Paperback Writer and Rain.”

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“The SG would become one of his longest-serving studio instruments, used during the sessions for Sgt Pepper’s Lonely Hearts Club Band in 1967 and the White Album in 1968. Harrison is seen playing the SG in the promo videos for Paperback Writer, Rain, and Lady Madonna, and would carry the guitar on tour to Europe, the US and Japan in 1966.

“The SG would also be used by John Lennon for Hey Bulldog in 1968. It is incredibly rare for such a well-documented and extensively used Beatles guitar to come to auction.”

Jamie Dickson is Editor-in-Chief of Guitarist magazine, Britain's best-selling and longest-running monthly for guitar players. He started his career at the Daily Telegraph in London, where his first assignment was interviewing blue-eyed soul legend Robert Palmer, going on to become a full-time author on music, writing for benchmark references such as 1001 Albums You Must Hear Before You Die and Dorling Kindersley's How To Play Guitar Step By Step. He joined Guitarist in 2011 and since then it has been his privilege to interview everyone from B.B. King to St. Vincent for Guitarist's readers, while sharing insights into scores of historic guitars, from Rory Gallagher's '61 Strat to the first Martin D-28 ever made.

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