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Matt Warnock

Guitar World Member For: 2 years 50 weeks
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Jazz Guitar Corner: Tritone Sub-Patterns, Part 1 — Arpeggios

In this first lesson, you’ll learn how to use 7th and 7#11 arpeggios to outline the tritone sub in a ii V I chord progression, allowing you to take your soloing chops up a notch and begin to create lines in the same vibe as your favorite jazz guitarists at the same time.

Jazz Guitar Corner: Learn the Fretboard Like Joe Pass

One of the biggest hurdles many jazz guitarists face early in their development is being able to connect chords, scales and arpeggios in their playing without having to jump all over the fretboard between shapes. When I was first learning how to play jazz, one of the best lessons I ever learned came from a comment I read from Joe Pass.

Jazz Guitar Corner: "Summertime" — Time to Use Your New Jazz Chords

One of the most common questions I get from students and readers alike is, “I've learned tons of jazz chords, but how do I make them sound like music?” Alongside your study of chord voicings on their own, one of the best ways to learn how to apply those chords to your comping and chord soloing is to learn sample chord studies based on the changes to popular jazz tunes.

Jazz Guitar Corner: Jazz Guitar Chord Exercises — with Tab and Audio

One of the most common questions I get from my students and readers is, “I know what jazz chords to study, but how to I practice them in a practical, musical way?” To help answer this question, I’ve put together an exercise that uses all the inversions of any chords you are learning, while playing them in a common chord progression at the same time.

Jazz Guitar Corner: Soloing with the Mixed Blues Scale

You don’t need to go very far to find a cool-sounding scale that can jazz up your blues solos in no time. We’ll be looking into the mixed blues scale, which combines the notes from the minor and major blues scales to outline the underlying blues chord changes, while retaining a healthy dose of the blues at the same time.

Jazz Guitar Corner: Melodic Minor Modes Made Easy

When learning how to play jazz, and other improvisational genres of music, learning how to play the seven modes of melodic minor is an essential skill any guitarist should have in their soloing tool belt. While we know that learning the seven modes of melodic minor is important, sometimes it can seem like a tough task, and we feel we have to start from scratch when learning these seven modes.

Jazz Guitar Corner: Learn All Seven Major Modes the Easy Way

Most of us begin with the Ionian mode then move on to Dorian and progress up the fretboard in this way until we’ve learned all seven positions of the major scale. While this can be an effective way of learning modes, in this lesson you will learn a shortcut that will allow you to quickly and easily learn all seven modes by starting with Lydian and simply lowering one note at a time until you can play all seven modes on the fretboard.

Jazz Guitar Corner: Five Introductory Jazz Guitar Tunes

When learning how to play jazz guitar, many of us know we need to learn scales, arpeggios and chords, but we are sometimes stuck when looking for jazz tunes to learn that are appropriate for our level of development. In this lesson, you will check out five introductory jazz tunes, each focusing on specific concepts that will help you develop strong jazz-guitar fundamentals while expanding your repertoire.

Jazz Guitar Corner: How to Play Jazzy Jimi Hendrix Chords

As guitarists, many of us are fans of the late, great Jimi Hendrix, who has influenced players in all genres of music, including jazz. While Hendrix left a legacy as one of the greatest rock improvisers of all time, he also left his stamp on the harmonic side of the instrument, including a chord that bears his name.

Jazz Guitar Corner: Introduction to the Lydian Pentatonic Concept

While learning the Lydian scale itself is definitely one way to go when adding a maj7#11 sound to your solos, there’s another common and cool-sounding concept you can explore to bring this sound out in your lines. In today’s lesson, we’ll be looking at how you can apply a major pentatonic scale a tone above any maj7 chord to bring out a Lydian vibe in your jazz guitar solos.