Gear Spotlight: Vox Series 33 Guitars

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Guitar World Editors
Guitar World Editors

Since 1980, Guitar World has brought guitarists the best in-depth interviews with great players, along with exclusive lessons, informative gear reviews and insightful columns that help guitarists grow and excel on their instrument. Whether you want to learn the techniques employed by your guitar heroes, read about their latest projects or simply need to know which guitar is the right one to buy, Guitar World is your guide.

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Toshi Dorji plays live and is silhouetted against a deep red background.
“I’ve been to guitar shops and played fancy guitars and cheaper ones. I just don’t understand why people pay so much money”: Tashi Dorji explains why he sees little value in expensive instruments – but views improv guitar as anarchy
Adam "Nolly" Getgood Poses with his custom T-styles: his new collaboration with Bare Knuckle brings us a PAF-alike with more output, designed for the player of today's tone preferences.
“Anyone can dial in a really fat, thick, saturated guitar tone for single notes, but what happens when they palm-mute? Does it just fall apart? A lot of the time it does”: Adam ‘Nolly’ Getgood busts myths about how to get great high-gain tone
Connor Wyatt and his dog standing in front of the music store GAK
“There are people out there that had paid £2,000 for a guitar…and we were still getting emails from people saying, ‘Where’s my stuff?’”: What happens when a guitar store goes bust? A former employee at one of the UK's biggest guitar stores tells all
English rock group The Kinks, from left, Ray Davies, Pete Quaife, Mick Avory and Dave Davies (playing a Vox Phantom XII 12 string guitar) perform on the pop music television show Thank Your Lucky Stars for ABC Television at Alpha Television Studios in Birmingham, England in 1965. The band members are all wearing matching red jackets and pink shirts.
“I left without a penny to my name. I was bitter for a while, but I’ve got a great legacy”: Though Pete Quaife gets credit for jumpstarting the Kinks bass chair, John Dalton and Jim Rodford pushed the band forward on many of their classic albums
Clarence Gatemouth Brown performs at the Santa Cruz Blues Festival at Aptos Village Park in Aptos, California on May 27, 2000
“Chuck Berry's not a very good guitar player. He's a clown. He runs all over the guitar, just like any one of these old rock players would do, and makes no sense”: Clarence “Gatemouth” Brown pulled no punches when speaking about his fellow guitar heroes
Roy Clark (left) and Merle Travis
“I said, ‘Merle, do you remember this?’ and I played him his song Sweet Bunch of Daisies. He said, ‘I remember it. I've never heard it played that good’”: When Roy Clark met his guitar hero
Bassist Hadrien Feraud
“I asked Marcus to sing on it. As amazing as he is on bass, I think he’s underrated as a vocalist”: Having earned lofty status in bass-hero circles, Marcus Miller lent his vocal chops to Hadrien Feraud’s solo album
Bootsy Collins
“I was playing stuff I don’t think James Brown understood. He told me, ‘You have to play the one – you’re playing too much’”: Six years after he quit touring, Bootsy Collins reflects on James Brown and George Clinton, and what he gets out of playing today
Geordie Walker of Killing Joke performs with his Gibson gold-top Gibson ES-295 with the Mary Kaye pickguard.
“This guy kept calling saying, ‘I’ve never been in a band before, but I’m the best guitarist ever.’ When I heard him play it was like a fire from heaven”: The life and times of Killing Joke visionary Geordie Walker – the guitar hero’s guitar hero
Bad Cat's late amp designer Mark Sampson on the shop floor: Sampson is widely credited as being one of the godfather's of the boutique amp movement.
“There’s no doubt in my mind that Mark Sampson was the father of the boutique amp revolution”: An interview with the late, great Mark Sampson, the trailblazing amp designer behind Bad Cat and Matchless