Glenn Kimpton
Glenn Kimpton is a freelance writer based in the west of England. His interest in English folk music came through players like Chris Wood and Martin Carthy, who also steered him towards alternate guitar tunings. From there, the solo acoustic instrumental genre, sometimes called American Primitive, became more important, with guitarists like Jack Rose, Glenn Jones and Robbie Basho eventually giving way to more contemporary players like William Tyler and Nick Jonah Davis. Most recently, Glenn has focused on a more improvised and experimental side to solo acoustic playing, both through his writing and his own music, with players like Bill Orcutt and Tashi Dorji being particularly significant.
Latest articles by Glenn Kimpton

By Glenn Kimpton Published
For fans of Nick Drake, John Martyn, Bert Jansch and Anne Briggs, Chris Brain's bucolic folk sound is driven by his technically formidable but delicate fingerstyle approach – and some of it was recorded in his shed

By Glenn Kimpton Published
Richard Dawson on balancing the mundane and profane, and the "unsteady" melodies of his staggering new album

By Glenn Kimpton Published
Wizz Jones may not be a household name but he came out of the same scene as Eric Clapton and influenced everyone from Keith Richards to Thurston Moore

By Glenn Kimpton Published
Tashi Dorji is a punk-rocker with a freewheeling improv jazz sensibility and he is totally okay with his music being impermanent, so long as it sounds alive in the moment

By Glenn Kimpton Published
Cosmos Forever is another deep dive into the Hawaii-born, Hudson Valley-based singer-songwriter's prodigious imagination, where, she warns us, it can get pretty heavy

By Glenn Kimpton Published
The Americana duo tell the story of their return to a long-serving Nashville studio and a remarkable record that bears its name

By Glenn Kimpton Published
Rooted in blues-rock but expanded by metal, folk, and country, The Damn Truth's catchy, riff-heavy tunes seem bound to conquer rock playlists, and stages, 'round the world

By Glenn Kimpton Published
Inspired by the unworked genius of Neil Young and the angst of the Manic Street Preachers, Logan’s new album, Psych Ward, is all about expansion and connection

By Glenn Kimpton Published
Pathways finds the Canadian singer-songwriter welcoming soul, R&B, blues and folk into the mix and letting his guitar lead the way for the first time

By Glenn Kimpton Published
Zaitz's debut album, The Regulator, introduces a prodigious talent on guitar, and he is backed by some of the best players in the capital's jazz scene

By Glenn Kimpton Published
Wesson's full-length solo debut was made in collaboration with his Martin D-28 and a ’68 Fender Pro Reverb amp rescued from the trash outside a London guitar shop, and features 10 tracks with a story to tell

By Glenn Kimpton Published
This teenage folk and blues singer-songwriter is wise beyond her years – and nailed every song on her debut album in one take

By Glenn Kimpton Published
Cash & Carter's No Use Praying EP is essential listening for fans of Chris Stapleton, John Mayer and George Ezra, but maybe also of John Wayne, Randolph Scott and Sergio Corbucci too

By Glenn Kimpton Published
Best known for his Bluesbreakers band, which launched the careers of Eric Clapton, Peter Green and Mick Taylor, Mayall was a gifted pianist, guitarist and harmonica player

By Glenn Kimpton Published
Her band has the biggest-selling debut album in nearly a decade in her native UK, and secured tours with Hozier and Florence & The Machine. Guitarist Emily Roberts explains how her background in jazz, theater and a Queen tribute band inspired her evocative playing style

By Glenn Kimpton Published
White's debut album, Swirling Violets, finds the former Silences guitarist exploring the outer reaches of his imagination and changing his approach because this time out, the set all hangs on him

By Glenn Kimpton Published
The Australian guitarist is now an LA native with a roll call of credits including Rodrigo, Empress Of and Mayer Hawthorne, and she runs her own masterclass out of Pickup Music

By Glenn Kimpton Published
Nat Myers’ debut album, Yellow Peril, was produced by the Black Keys frontman – and it’s a modern-day classic of its genre

By Glenn Kimpton Published
Frankland is taking influences from all across the musical spectrum to forge a sound that is all his own. He unpacks his journey from 13-year-old rookie to debut album, Fate’s Right Hand

By Glenn Kimpton Published
The English folk phenom returns with Lammas Fair, an album introducing proggy psych to his sound. He discusses his approach to open tunings, paying tribute to acoustic great Michael Chapman, and making the most of resonant strings

By Glenn Kimpton Published
The Canadian country star's latest EP is a journey in every sense, written on the road as she toured the country, playing boxcar gigs and raising money for a good cause

By Glenn Kimpton Published
Mat Davidson has played with Big Thief, The Low Anthem and more, but under his own steam as Twain he is chasing new horizons – with the help of the “Honda Civic” of acoustic guitars

By Glenn Kimpton Published
On her new album, Storm, the Canadian-born, Austin-based singer-songwriter is cultivating a more orchestral sound, but as she explains, you can strip it all back to her voice and guitar

By Glenn Kimpton Published
Libertino is a multi-instrumentalist, composer and academic, and his latest album, Cartography, finds him chasing new musical horizons and facing the biggest challenge of his career

By Glenn Kimpton Published
He toured with Roger Waters, produced Roy Harper and Father John Misty, and built electric guitars that became highly sought-after. Now, new album Eat the Worm finds the Laurel Canyon experimentalist messing around with song form, “f**ked up” Stratocasters and songs about Joe Bonamassa
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