Mark McStea
Mark is a freelance writer with particular expertise in the fields of ‘70s glam, punk, rockabilly and classic ‘50s rock and roll. He sings and plays guitar in his own musical project, Star Studded Sham, which has been described as sounding like the hits of T. Rex and Slade as played by Johnny Thunders. He had several indie hits with his band, Private Sector and has worked with a host of UK punk luminaries. Mark also presents themed radio shows for Generating Steam Heat. He has just completed his first novel, The Bulletproof Truth, and is currently working on the sequel.
Latest articles by Mark McStea

By Mark McStea Published
Rory Gallagher, The Edge, Gary Moore of course, but who makes up the other 15?

By Mark McStea Published
Once Hendrix turned his Stratocaster upon a song it would never be the same again. Just ask Bob Dylan

By Mark McStea Published
Sure, he made a massive imprint on David Bowie’s classic early ’70s albums. But Mick Ronson also worked with Lou Reed, Bob Dylan, John Mellencamp, Elton John, Roger McGuinn, Morrissey, Ian Hunter and many others

By Mark McStea Published
The blues comeback king tells his life story via the medium of three guitars that he can’t live without

By Mark McStea Published
The Strat-addicted bluesman describes the three guitars he couldn’t, can’t or won’t live without

By Mark McStea Published
Posen's new album, Bannatyne, finds the Canadian flipping the script for rock guitar, exploring in full the creative potential of that quite brilliant signature Strat of his

By Mark McStea Published
30 years ago, the soulful rocker recorded Circus, his most guitar-heavy album. Kravitz and fellow guitarist Craig Ross take a look back at a suite of songs born of jams, soundchecks and dreams

By Jonathan Horsley Published
It was the strangest thing. Kravitz would be getting ready to get back on the bus and he'd make the gear purchase of his life – a vintage grail at a good price... Those days are gone
![Heart's Ann [left] and Nancy Wilson pictured in 1985. Nancy is holding her Gibson Les Paul Custom](https://cdn.mos.cms.futurecdn.net/P6HXpqzcZihm3WmjRcBJXc-320-80.jpg)
By Mark McStea Published
Heart's self-titled 1985 album was just what the doctor ordered, ushering in a triumphant second act for the iconic Seattle rockers

By Mark McStea Published
Canadian guitar hero Phil X, known worldwide for his fleet-fingered playing in Bon Jovi, takes us through the making of his side band’s new album

By Janelle Borg Published
As Bon Jovi’s lead guitarist, Phil X knows that, in the age of social media, every anthemic solo has to be perfect

By Mark McStea Published
Inhaler’s Josh Jenkinson is living proof that this generation’s guitar heroes actually got hooked on guitar courtesy of Guitar Hero – but he's not playing when it comes to tone and songwriting

By Mark McStea Published
The longtime Ozzy guitarist and Black Label Society frontman on why you should hold onto your childhood gear, how he got into Les Pauls and active pickups, and the making of his iconic Grail
![Hanoi Rocks' Andy McCoy [left] and Michael Monroe. Monroe wears a bright gold jacket and has blonde, '80s rock-sized hair. McCoy is cradling a black Gibson Firebird and weats a wide-brimmed hat.](https://cdn.mos.cms.futurecdn.net/98AkCWXe6Q87uhPDBaybQd-320-80.jpg)
By Mark McStea Published
40 years ago – after moving to London to invent the movement that would inspire a million L.A. bands – Finnish upstarts Hanoi Rocks self-destructed. This is their story

By Jonathan Horsley Published
Wylde says it was love at first sight with the Grail, but worried that people might see him as a Randy Rhoads clone, it needed a new look

By Janelle Borg Published
Jenkinson also credits his grandma for booking some guitar lessons for him – which would eventually lead him to joining Inhaler

By Phil Weller Published
The guitar became his main axe during his career with Ozzy, but after it fell off a truck in 2000, he feared he’d never see it again

By Mark McStea Published
Think of Billy Duffy and it’s Gretsch White Falcons, Les Paul Customs or maybe an LP Junior. Here he explains why these three iconic six-strings have been the tools of his trade for over 40 years

By Mark McStea Published
Is Sperati the next big name in fusion? Here she discusses moving to America (maybe), why she loves digital amps, and life as an educator

By Mark McStea Published
The NYC noise-rock pioneer looks back to 1987, a time when Sonic Youth were growing up in public and expanding their vocabulary of alternate tunings
![Simple Minds' Charlie Burchill [left] and Jim Kerr perform at Nelson Mandela's 70th Birthday Party concert. Burchill plays a Gibson Les Paul Standard and wears a white jacket.](https://cdn.mos.cms.futurecdn.net/8oSbNwUdfh8bDGdLr43qqn-320-80.jpg)
By Mark McStea Published
Riding high on The Breakfast Club success of Don't You (Forget About Me), Scottish rockers Simple Minds got into the studio with Jimmy Iovine and made one of the great albums of the '80s
![Heart's Ann [left] and Nancy Wilson pictured in 1985. Nancy is holding her Gibson Les Paul Custom](https://cdn.mos.cms.futurecdn.net/P6HXpqzcZihm3WmjRcBJXc-320-80.jpg)
By Mark McStea Published
Heart's self-titled 1985 album was just what the doctor ordered, ushering in a triumphant second act for the iconic Seattle rockers

By Phil Weller Published
The band’s self-titled eighth record saw them evolving into a mainstream superpower, but Wilson would clash with producer Ron Nevison over the use of acoustic guitars

By Phil Weller Published
The noise-rock icon is famous for his love of weird tunings, but that fixation only happened with a little help from one of the NY art-rock scene’s biggest innovators
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