
Mark McStea
Mark is a freelance writer with particular expertise in the fields of ‘70s glam, punk, rockabilly and classic ‘50s rock and roll. He sings and plays guitar in his own musical project, Star Studded Sham, which has been described as sounding like the hits of T. Rex and Slade as played by Johnny Thunders. He had several indie hits with his band, Private Sector and has worked with a host of UK punk luminaries. Mark also presents themed radio shows for Generating Steam Heat. He has just completed his first novel, The Bulletproof Truth, and is currently working on the sequel.
Latest articles by Mark McStea
![Simple Minds' Charlie Burchill [left] and Jim Kerr perform at Nelson Mandela's 70th Birthday Party concert. Burchill plays a Gibson Les Paul Standard and wears a white jacket.](https://cdn.mos.cms.futurecdn.net/8oSbNwUdfh8bDGdLr43qqn.jpg)
Simple Minds guitarist Charlie Burchill on the regrets and rewards of making their ’80s classic, Once Upon A Time
By Mark McStea published
Riding high on The Breakfast Club success of Don't You (Forget About Me), Scottish rockers Simple Minds got into the studio with Jimmy Iovine and made one of the great albums of the '80s
![Heart's Ann [left] and Nancy Wilson pictured in 1985. Nancy is holding her Gibson Les Paul Custom](https://cdn.mos.cms.futurecdn.net/P6HXpqzcZihm3WmjRcBJXc.jpg)
Nancy Wilson knew Heart had to adapt to survive the excesses of the 1980s – but she didn’t expect their greatest success
By Mark McStea published
Heart's self-titled 1985 album was just what the doctor ordered, ushering in a triumphant second act for the iconic Seattle rockers

Nancy Wilson says she felt pressured to ditch the acoustics as Heart went for the mainstream in 1985
By Phil Weller published
The band’s self-titled eighth record saw them evolving into a mainstream superpower, but Wilson would clash with producer Ron Nevison over the use of acoustic guitars

Sonic Youth are now alternate tunings icons – but the band opted for them out of necessity
By Phil Weller published
The noise-rock icon is famous for his love of weird tunings, but that fixation only happened with a little help from one of the NY art-rock scene’s biggest innovators

Jimmie Vaughan on his three favorite guitars – and the megabucks Fender he gave to his brother
By Mark McStea published
The Texas blues maestro takes a trip down memory lane and pulls out three desert island six-strings

East Bay Ray on why the Dead Kennedys’ chemistry hit its peak on Fresh Fruit For Rotting Vegetables – and why it fell apart
By Mark McStea published
In the year 1980, the Dead Kennedys debut presented a new sound for punk. Here guitarist East Bay Ray tells us how they made Fresh Fruit for Rotting Vegetables

Orianthi names her favorite guitars – and tells us why her PRS sounds better than a holy grail Les Paul
By Mark McStea published
The Australian virtuoso is a guitar nut with an extensive collection, but if it came down to a choice of three, these would be the guitars she could not bear to let go

Will Sergeant takes us back to the making of Echo & the Bunnymen’s 1984 classic, Ocean Rain
By Mark McStea published
Sergeant might not be 100 percent happy with Ocean Rain but that doesn't stop it being a stone-cold classic with a killer lead single, whose influence we hear in generations of post-punk bands

Paul Gilbert names his three favorite guitars – including one that was stolen very recently
By Mark McStea published
The virtuoso behind Mr. Big and Racer X digs out three stalwarts from his arsenal of Ibanez guitars and explains what makes them cool – oh, and why he puts erasers under his pickups

Billy Zoom on the making of X’s stone-cold L.A. punk classic, Under the Big Black Sun
By Mark McStea published
In X guitarist Billy Zoom's mind, the band could have been Eddie Cochran meets the Ramones, but they ended up being much more. A renaissance man with a love of Gretsch, Zoom takes us back to revisit the band's seminal 1982 album

Franz Ferdinand’s Alex Kapranos reveals his obscure vintage gear obsessions
By Mark McStea published
The Franz Ferdinand leader rarely gets to talk guitars. He shares his love of vintage Japanese instruments, explains the process of demoing, looping and mic’ing on new album The Human Fear – and reveals why the secret to studio success is that there’s no secret

How husband-and-wife duo the Courettes became one of the most exciting bands in the garage-rock underground
By Mark McStea published
Guitarist Flavi Couri details the retro gear and inspirations behind the Courettes’ garage-rock expansionism – a sound that references Motown, Phil Spector and ’60s power-pop

The Linda Lindas’ Bela Salazar and Lucia de la Garza on why they’re too punk-rock for school
By Mark McStea published
Having gone viral with Racist, Sexist Boy and toured with punk luminaries Rancid and Green Day, the Linda Lindas are not done growing up yet on sophomore LP No Obligation

How The Linda Lindas’ Bela Salazer got her first electric guitar for free
By Janelle Borg published
Salazar and co-guitarist Lucia de la Garza's first guitars were instrumental in helping them write their own, and The Linda Lindas', early songs

Judith Hill on her journey from backing singer for Michael Jackson, Prince and Stevie Wonder to fronting her own band
By Mark McStea published
The 20 Feet From Stardom singer worked with – and learned from – the biggest names in pop before she seized a six-string and formed her own group

Wunderhorse turned up to Nirvana's In Utero studio, borrowed guitars – and made one of 2024’s best alt rock records
By Mark McStea published
What started out as a solo project is now a proper band with ties that go back to childhood, and Midas is the sound of an indie collaboration in full bloom

Jontavious Willis has become one of acoustic blues’ most exciting voices – just don’t says he’s the future of the art form
By Mark McStea published
Straight out of West Georgia with stories to tell and songs to sing, Willis tells us why the time is now for acoustic blues and how the British Invasion brought good and bad for the art form

Robin Guthrie on how he conjured the haunting (and monstrous) tones of Cocteau Twins
By Mark McStea published
With The Moon and the Melodies remastered and reissued, the architect of the lushest sounds committed to tape reflects on the effects experimentation and accidental magic of the quintessential 4AD band

Fontaines D.C.’s Carlos O’Connell on playing Rory Gallagher’s Strat and why a spring reverb is the best overdrive
By Mark McStea published
One half of the Fontaines D.C. six-string machine talks songwriting and influences, and admits that he, too, is a disciple of YouTube’s Kurt Cobain tone guru Aaron Rash

Goo Goo Dolls’ John Rzeznik on the legacy of Iris, Dizzy Up the Girl and those weird tunings
By Mark McStea published
When Rzeznik and co set out with Goo Goo Dolls there was no Plan B. They were all in. But when it came time for album number two, that gamble was about to pay off in a big way…

Why every guitarist owes something to the first rock 'n' roll guitar hero, Duane Eddy
By Mark McStea published
The man with the twangy guitar changed the lives of millions and left an indelible mark on tone, and how we play the instrument. We look back on the life of a bona-fide legend

Lime Garden’s Leila Deeley is refreshing indie-pop with a heavy-strung Jaguar and $30 fuzz pedal
By Mark McStea published
Lime Garden's pop sound is lush and heady but at the heart of it lies a secret shredder who got a taste for the instrument listening to Black Sabbath and the Doors. We'll let Deeley explain it...

How Kid Congo Powers fused jazz and punk with the Bad Seeds, the Cramps… and Ry Cooder’s amps
By Mark McStea published
Powers reveals how drugs, jazz and lessons from the Cramps’ Poison Ivy were all brought to bear on Gun Club’s seminal 1984 album, The Las Vegas Story

Pat Beers honed a one-handed, five-string guitar technique so he can cause more onstage chaos with The Schizophonics
By Mark McStea published
With Hendrix, MC5, and Stooges influences, these antsy San Diego rockers put on a show you’re not likely to forget

Rich Robinson on why he reunited the Black Crowes – and revitalized their guitar lineup
By Mark McStea published
Toxic band member behavior drove the Robinson brothers apart – but it also brought them back together. Rich Robinson details the challenge of playing in 15 different tunings, how a flood made his Les Paul Goldtop sound better, and why Nico Bereciartua is just the guitarist the band needs
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