Slash and Bruno Mars jam Nirvana’s Smells Like Teen Spirit – as Yungblud, Brandi Carlile and more feature during billionaire’s star-studded Christmas party

Slash and Bruno Mars -GettyImages-1389387436 - GettyImages-2190340130
(Image credit: Getty Images)

Last week, Slash and Bruno Mars stole the show at a private event that took over the Capitol Theatre in Port Chester, New York, as they made an unlikely pairing on a host of classic tunes.

It's being reported that the 1,800-capacity venue was hired out by holding company Eldridge Industries, which is headed up by billionaire Todd Boehly. If this was its Christmas party, it sure beats bowling and pints.

Slash Duff & Bruno Mars - Smells Like Teen Spirit + Ace Of Spades w RHCP #slash #brunomars #nirvana - YouTube Slash Duff & Bruno Mars - Smells Like Teen Spirit + Ace Of Spades w RHCP #slash #brunomars #nirvana - YouTube
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He keeps hold of the Fender electric guitar as he howls his way through an adrenalized take of Nirvana’s smash hit, Smells Like Teen Spirit one that Wolfgang Van Halen has taken inspiration from for Mammoth’s latest album.

Gear-wise, Slash is saddled up with a sunburst Gibson Les Paul (shock, horror), with a row of his signature Magnatone amps behind him. There are also a few Fender combos seen in front of the drum kit for the likes of Eddie Vedder and Mars to hook up to.

It was a pretty exhaustive setlist in all, with everyone coming together for the final two songs: Johnny B. Goode, a track synonymous with Back to the Future, and Rockin’ in the Free World.

The show came hot on the heels of Guns N' Roses releasing two new singles, Atlas and Nothin’. An album may soon follow in its wake.

“There’s so much material at this point – it’s a matter of having the discipline to sit down and fucking get into it,” Slash recently told Guitar World of a long-awaited new GNR record. “Everybody is thinking about it.”

A freelance writer with a penchant for music that gets weird, Phil is a regular contributor to Prog, Guitar World, and Total Guitar magazines and is especially keen on shining a light on unknown artists. Outside of the journalism realm, you can find him writing angular riffs in progressive metal band, Prognosis, in which he slings an 8-string Strandberg Boden Original, churning that low string through a variety of tunings. He's also a published author and is currently penning his debut novel which chucks fantasy, mythology and humanity into a great big melting pot.

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