
Mark McStea
Mark is a freelance writer with particular expertise in the fields of ‘70s glam, punk, rockabilly and classic ‘50s rock and roll. He sings and plays guitar in his own musical project, Star Studded Sham, which has been described as sounding like the hits of T. Rex and Slade as played by Johnny Thunders. He had several indie hits with his band, Private Sector and has worked with a host of UK punk luminaries. Mark also presents themed radio shows for Generating Steam Heat. He has just completed his first novel, The Bulletproof Truth, and is currently working on the sequel.
Latest articles by Mark McStea

Alan Merrill tells the story of I Love Rock 'n' Roll in his final Guitar World interview
By Mark McStea published
The Arrows frontman muses on his career in music in this never-before-published conversation

Dear Guitar Hero - DragonForce's Herman Li answers your questions: "I am a specialist in my own weird guitar sound"
By Mark McStea published
The shredder on the band's latest album Extreme Power Metal, his favorite EVH solo and how he developed his mind-bending sweep-picking ability

Michael Schenker: "Rudolf doesn’t have much talent as a guitarist - I needed to pave the path for him. I’m saying that with an open heart"
By Mark McStea published
Whether he’s talking about the Scorpions, UFO, his new album or the 'distortion of his image', the German guitar legend is as candid as ever

*repeat repeat's Jared Corder: "College only offered jazz or classical guitar, and the guys in classical were all metalheads, so I chose that"
By Mark McStea published
The guitar playing half of the US-based duo talks Glazed, *repeat repeat’s guitar-packed (and catchy-as-hell) new album

Laura Palmer: "I was a shy kid unable to perform, now I own my own label and front Screamin' Rebel Angels"
By Mark McStea published
The Brooklyn, NY-based singer, guitarist, upright bassist and businesswoman recounts how rock 'n' roll inspired her to venture out of her comfort zone

Michael Sweet on his star-studded solo album Ten, what's next for Stryper, and why he should have been a leftie
By Mark McStea published
The Stryper frontman on his wife being his writing mediator and the lasting influence of Elvis on his style as a guitarist

Kenny Wayne Shepherd: those SRV clone accusations came from a jealous place
By Mark McStea published
There aren’t many roads this Strat-wielding blues whiz hasn’t been down, but his new album, The Traveler, still breaks new ground

Gov't Mule's Warren Haynes: "When I switch to my ’59 Les Paul, there’s something magical there that you just can’t replicate"
By Mark McStea published
Warren Haynes dishes on how he's kept Gov't Mule together for 25 years, and offers an interesting take on the regime of self-improvement as a guitarist

Matt Sweeney on his secret formula for Josh Homme's Desert Sessions: "I can fingerpick, I know how to sound good... and I smell nice"
By Mark McStea published
The alt-rock collaborator talks working with a stellar cast for the QOTSA man's latest super-record

Nils Lofgren talks touring with Bruce Springsteen, collaborating with Lou Reed and why he favors thumb picks
By Mark McStea published
The E Street Band guitarist on the background to Blue with Lou and its five 'lost' songs, co-written with Reed more than 40 years ago

Michael Schenker looks back at UFO's Strangers In The Night
By Mark McStea published
The iconic guitarist's memories of one of the best live albums of all time

Dear Guitar Hero: Vinnie Moore answers your burning questions
By Mark McStea published
The UFO guitarist on his new instrumental record, saving his hard drive over his guitar and why there is no bad gear anymore

Dead Posey: “We’re not religious or anything, but there’s something kind of earthy about that life-and-death grandeur..."
By Mark McStea published
Mix grinding guitars, anthemic choruses, unyielding hooks and the unsettling voodoo vibe of the best Southern folklore, and you’ll get an idea of what Dead Posey are about

Jason Becker: "My heroes understand how devastating it would feel to not be able to play their guitar anymore"
By Mark McStea published
The shred survivor details how he assembled some of the world's greatest guitarists for Triumphant Hearts

Black Midi: “We played for two hours; the first hour and 20 minutes was all improvised"
By Mark McStea published
In this day in age, it's difficult to find a band that truly doesn't sound like anyone else. Black Midi is that group

Big Wreck's Ian Thornley: "The greatest reward is chasing down the connection with the instrument and being able to slay with one note"
By Mark McStea published
Tone-Meister Ian Thornley explains his riff-heavy approach to …but for the sun, the beloved Canadian Rockers’ latest slice of gut-crunching rock and roll

John 5: "I play so much guitar that it might not even be healthy - and I’m not joking"
By Mark McStea published
The Tele master on Invasion, his relationship with Marilyn Manson and the joys of self-sufficiency

Stray Cats legend Brian Setzer: "Nothing feels right after a Gretsch"
By Mark McStea published
The rockabilly icon talks big-band productions, his Stratocaster fascination and the Cats' new studio album, 40

Classic guitar albums of 1979: ZZ Top's Degüello
By Mark McStea published
This record proved that the “Little Ol’ Band from Texas” was continuing to refine their unique brand of boogie

Classic guitar albums of 1979: David Bowie's Lodger
By Mark McStea published
On Lodger, Bowie recruited one Adrian Belew as the latest guitar great to compliment his vision

Classic guitar albums of 1979: The Cars' Candy-O
By Mark McStea published
Much like the Heartbreakers, the Cars were able to straddle the new wave and classic rock genres without alienating fans of either

Classic Guitar Albums of 1979: Pink Floyd, 'The Wall'
By Mark McStea published
That prog-rock staple, the “concept” album, has never been employed to better effect than here.

Judas Priest, Queen, Cheap Trick and Neil Young: Four Killer Live Albums Turn 40
By Mark McStea published
Behold four 1979 releases that have aged a lot more gracefully than Steve Martin's 'The Jerk.'
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