Nick Wells
Nick Wells was the Editor of Bass Guitar magazine from 2009 to 2011, before making strides into the world of Artist Relations with Sheldon Dingwall and Dingwall Guitars. He's also the producer of bass-centric documentaries, Walking the Changes and Beneath the Bassline, as well as Production Manager and Artist Liaison for ScottsBassLessons. In his free time, you'll find him jumping around his bedroom to Kool & The Gang while hammering the life out of his P-Bass.
Latest articles by Nick Wells
When TM Stevens met James Brown: “I said, ‘One day I'm going to play with you!’ He said, ‘Don't do it! Stay in school!’”
By Nick Wells published
TM Stevens on meeting the Godfather of Soul and the bass players that helped shape his sound
“Our best amp yet”: Darkglass introduces the limited-edition Microtubes X 900
By Nick Wells published
The X 900 promises power and projection without incurring the need for a back specialist into the bargain
"There was something about that picture of Marilyn that resonated with how I feel when I’m trying to get something right on the bass": Why Gail Ann Dorsey named her bass after Marilyn Monroe
By Nick Wells published
The story behind the Bowie bassist’s iconic Music Man StingRay
“There’s not much swagger in that band.” For Glenn Hughes, joining Deep Purple wasn’t the clear-cut choice that you’d think
By Nick Wells published
The ‘Voice of Rock' looks back on his decision to quit Trapeze in 1973, and why Ritchie Blackmore was “a bit eccentric”
“A lot of Sugar Hill records were clichéd bass riffs that DJs would spin in the clubs”: How a bassline by art-rockers Liquid Liquid became one of the biggest hip-hop anthems of all time
By Nick Wells published
In 1983 Doug Wimbish was asked to recreate a bassline that was tearing up NYC clubs. Transformed into White Lines (Don’t Do It) it became an enormous worldwide hit – but the original creators never received a dime…
“Whenever we’d drop that bass riff, places would become unhinged”: Listen to Tim Commerford’s isolated bassline on Killing In The Name by Rage Against The Machine
By Nick Wells published
The beginning of RATM best-known song is a sinister D plus octave of D#
John Lennon: “Willie Weeks was supposed to do it, but he was doing a George Harrison session”: In August 1980 John Lennon could have called just about any bass player on Earth. He went with Tony Levin
By Nick Wells published
The King Crimson bassist recalls the making of Double Fantasy and why he laughed at The Beatle’s first ever words to him
Need more control over your tone? This new preamp from Aguilar was made to “push your bass sound to the limits”
By Nick Wells published
The latest addition to Aguilar's pedal range is an all-analog preamp unit with a built-in boost
“So that harmonic, I'm kind of ripping The Firm's Radioactive”: How Jeff Ament discovered a slide harmonic on Pearl Jam’s Even Flow
By Nick Wells published
“I remember accidentally hitting harmonics and sliding on it, so I just started experimenting”
“I remember thinking, ‘What would Paul McCartney do?’” How Justin Smolian channeled his inner Beatle with Dirty Honey
By Nick Wells published
Dirty Honey's Justin Smolian opens up on touring with Guns N' Roses, and why Paul McCartney is still a bass playing genius
Randall Wyn Fullmer of Wyn Guitars has died, aged 73
By Nick Wells published
The bass builder who collaborated with Abraham Laboriel and starred in the 2004 documentary, Restrung, has passed away
“I wrote Black Dog on a train. There was a Muddy Waters song with a riff that never ended...” How John Paul Jones wrote Led Zeppelin's Black Dog
By Nick Wells published
Despite Jimmy Page’s masterful guitar playing, Black Dog was written by Led Zeppelin's bass hero John Paul Jones
“It was one of the few tunes that the band didn’t try to play live, but it’s definitive Jaco”: Discovering Jaco Pastorius and the making of Havona
By Nick Wells last updated
Inside Jaco’s Weather Report audition and the recording of Heavy Weather's standout track
Session bass legend Mo Foster dies aged 78
By Nick Wells published
The much-loved British bassist backed Jeff Beck, recorded with Phil Collins, and worked on two James Bond soundtracks
“On the fretted bass we call it the slap stopper!” What is a finger ramp and why should you use one?
By Nick Wells published
Bass guru Gary Willis explains the origins of his signature ramp
“I don’t think George was too pleased with what I did with the bassline; I mean, I had to sell it to him!” Did Paul McCartney overplay on this Beatles’ Abbey Road hit?
By Nick Wells last updated
Listen to the isolated bassline on one of the most covered songs in the Beatles catalogue
When Bootsy Collins met Larry Graham: “He handed me his bass, and I said, ‘Don't even try it. You play the bass, and I'll just watch’”
By Tony Green published
Why did funk legend Bootsy Collins refuse to jam with the godfather of slap bass?
Watch the world’s ‘leading solo bassist’ play four different bass guitars at the same time
By Nick Wells published
Michael Manring: “I’d travel with four basses and I started getting asked: ‘Why don’t you play all of them at once?’”
Listen to Geddy Lee’s isolated bassline on Freewill. The Rush song Alex Lifeson said was their “most ambitious”
By Nick Wells published
Geddy Lee: “One moment it’s heavy riffing and then you utilise the rhythm section verses the guitar”
Nate Watts picks his top 5 Stevie Wonder basslines
By Nick Wells published
Stevie’s long-serving bassist names his 5 favorite bass grooves, and the James Jamerson line that helped get him the gig
“My custom 9-string bass is just as playable as any 4-string Fender!” ChaotH on the unorthodox world of the extended-range bass
By Nick Wells published
Watch the Vvon Dogma I bassist put his fretboard fitness to the test on this custom-made 9-string bass guitar
Tommy Cogbill’s 1966 Fender P-Bass, reportedly used to record with Elvis, is going up for auction with an estimate of $100,000
By Nick Wells published
The sunburst Fender Precision – which was photographed with Elvis at American Sound Studio – also helped shape hits for the likes of Wilson Pickett and Aretha Franklin
Guy Pratt: “I always thought that the second I walked out the studio, the producer would be on the phone to Pino Palladino”
By Nick Wells published
The session stalwart discusses his career as a sideman, gigging with Pink Floyd, and chatting to Noel Gallagher and Suzi Quatro for his music podcast, The Rockonteurs
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