Paul Riario
Paul Riario has been the tech/gear editor and online video presence for Guitar World for over 25 years. Paul is one of the few gear editors who has actually played and owned nearly all the original gear that most guitarists wax poetically about, and has survived this long by knowing every useless musical tidbit of classic rock, new wave, hair metal, grunge, and alternative genres. When Paul is not riding his road bike at any given moment, he remains a working musician, playing in two bands called SuperTrans Am and Radio Nashville.
Latest articles by Paul Riario

By Paul Riario Published
Skeletonized bracing, domestic tonewoods, super-premium build and a ride that's like your favorite electric? Martin's new acoustic has a lot going on...

By Paul Riario Published
Don't be fooled by the generic looks: this super-affordable but super-powered new 100-watt tube head from Monoprice's Stage Right guitar amp series is a serious contender

By Paul Riario Published
Inspired by the runaway success of Shawn Tubbs’ Tilt Overdrive, the Tilt Boost offers a small-footprint boost pedal with some serious EQ-shaping, amp-punching power

By Paul Riario Published
Meet the brand-new vintage guitar that will have you wondering where it has been all your life

By Paul Riario Published
Two classic effects, one classy unit. Is it time you got swept away in the Riptide's stereo combo of overdrive and Uni-Vibe?

By Paul Riario Published
The new go-faster bolt-on Superstrat from the Jackson USA line is a speed machine with a build that justifies the price tag

By Paul Riario Published
For the DIY enthusiast with a steady hand on the soldering iron, this phaser from Mod Electronics might just do the job of one, two, or even three classic modulation units

By Paul Riario Published
Developed with acclaimed luthier Joe Glaser, the Ascender Standard is a foldaway travel guitar with a difference – you'll want to play it all the time

By Paul Riario Published
It’s lightweight, super-versatile, nicely priced, with a Bigsby sweetening the deal, and there's nothing quite like it. Why aren't more players talking about this Valentine?

By Paul Riario Published
Somebody call the Police! This flanger is a steal at this price, and nails those classic Andy Summers tones. If only those Add9 power chords were as easy

By Paul Riario Published
A quality pedalboard power supply might not be as sexy as a new delay, but it is essential, and this slim-profile unit from the Danish power specialist is a must for anyone serious about keeping their ’board running efficiently and quietly

By Paul Riario Published
A classy hot-rod from Charvel that offers high performance with a debonaire, classy look

By Paul Riario Published
The Texan effects and audio specialist takes on the Fulltone OCD and the Mu-Tron Phasor II, and reinvents them for today's players. But do they hold up to the originals that inspired them?

By Paul Riario Published
Not just another modulation, Aurelius comes strapped with vibrato, chorus and rotary settings, plus presets to save your sounds

By Paul Riario Published
Ditching the cable has never been more attractive with this fuss-free pedalboard-friendly system

By Paul Riario Published
Chris Robertson's signature humbucker could be the aftermarket PAF-alike you've been waiting for

By Paul Riario Published
Machine Gun Kelly’s signature model is a Guitar Center exclusive that gives Schecter’s Tele-type a radical modern makeover

By Paul Riario Published
This co-creation between the jazz/blues fusion virtuoso and Tube Screamer designer Susumu Tamura is up there with the great distortion pedals of our time

By Paul Riario Published
Reworked, redesigned, reinvigorated, PRS's versatile combo returns – and it's a bona-fide 20-watt powerhouse of tone

By Paul Riario Published
Two pedals that exemplify Browne's excellence: The Carbon is a Bluesbreaker-inspired drive based on the Protein pedal's “Blue” channel, the Fixer a super-useful buffer/boost

By Paul Riario Published
“Siri, show me a modern S-style that is spec’d up for metal and has state-of-the-art hardware that keeps it in tune all of the time…”

By Paul Riario Published
The third-gen signature pedal is a must-have for drone and doom freaks but proves itself a top choice for tone connoisseurs of all stripes, just so long as they like it loud

By Paul Riario Published
Ah, 1987... the year Appetite for Destruction broke, when L.A. was the center of the rock and metal universe, and when guitar tones were all combined distortion and delay like this
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