Latest Updates

From Raye to Zara Larsson, how session pro Liv Thompson learned to nail pop’s big gigs
By Nick Wells Published
Having performed everywhere from SNL to the Grammys, Thompson knows a thing or two about the bass and its role in pop

“A small yet mighty gig bag hero”: Mesa/Boogie launches powerhouse preamp/DI with all the tone-shaping capabilities of its high-end Subway line
By Jonathan Horsley Published
A blockbuster sequel to the original, the Subway+ Bass DI‑Preamp II offers bassists everything they need in one compact housing that's 40 per cent smaller than its predecessor

Flea looks back on his life-changing jam with Parliament-Funkadelic guitar hero Eddie Hazel
By Matt Owen Published
Flea shared the stage with the P-Funk guitar icon during soundcheck at one of the Red Hot Chili Peppers' earliest European gigs

Watch the moment Paul McCartney was first reunited with his long-lost Höfner bass
By Phil Weller Published
Stolen in 1972 and off the radar for half a century, it’s now back in McCartney’s grateful hands after a huge restoration job

How fretless bass master Steve DiGiorgio embraced frets on Testament’s 2016 metal masterstroke
By Freddy Villano Published
For Brotherhood of the Snake, DiGiorgio wielded little more than a stock 1978 Rickenbacker 4001

The story behind the deceptive bassline on a politically charged ’70s anthem that was later covered by the Red Hot Chili Peppers
By Chris Jisi Published
George Porter Jr cites this politically charged anthem as one of his favorite Meters basslines

Bob Daisley on not receiving credit for playing on Ozzy Osbourne’s Diary of a Madman
By Janelle Borg Published
Daisley still insists he was cheated out of credits and royalties over the years

How Stevie Wonder recorded one of the funkiest basslines in existence
By Bryan Beller Published
Stevie Wonder played one of music’s all-time craziest contraptions on this classic track

The moment Wings’ former sound engineer had to tell Paul McCartney his priceless Höfner bass guitar had been stolen
By Phil Weller Published
The 500/1 violin bass was a cornerstone of the Beatles’ early successes, but went missing for 50 years after it was stolen in 1972

Ashley Reeve leads the low-end for everyone from Cher to Filter – and her right-hand tone is her most important asset
By Nick Wells Published
When she’s not performing with Cher, Ashley Reeve has honed her bass playing prowess with the likes of CeeLo Green, Adam Lambert and alternative rock band Filter

We meet the man who reunited Paul McCartney with his long-lost Beatles bass
By Nick Wells Published
Stolen in 1972, Paul McCartney’s missing Höfner resurfaced in a family’s attic 51 years after it disappeared. But it took some tracking down…

Pepper Keenan recalls the moment he knew he’d failed his audition to be Metallica’s bassist
By Matt Owen Published
Keenan was one of many hopefuls to try out for the Metallica gig as James Hetfield and co looked to find Jason Newsted's replacement

The story behind Intervals virtuoso Jacob Umansky’s signature bass – and why Avenged Sevenfold changed his life
By Nick Wells Published
The Intervals and Nita Strauss bassist’s personalized 6-string Dingwall was first made as a one-off artist build – only for it to turn into his first-ever signature model

How Allen McGrier brought his Jamerson-approved Detroit swagger to a classic R&B ballad
By Chris Jisi Published
Bassist Allen McGrier grew up in the shadows of Motown and the Jamerson family in particular

Beach Boys hire new bass player from social media – after he made a video on how to sound like the Beach Boys
By Phil Weller Published
Chris Cron's unassuming clip went viral

A storm is coming as Gibson unveils modernized Thunderbird bass
By Phil Weller Published
New take on the bass combines heritage with modern performance

Greg Chaisson on his gruelling Ozzy Osbourne audition
By Phil Weller Published
Chaisson didn’t get the gig, but he did strike up a friendship with Jake E. Lee – which would be rekindled a few years later with Badlands

Why bassist Paul Samwell-Smith chose a short-scale Epiphone for his “rave-ups” with the Yardbirds
By Stevie Glasgow Published
The blues-rock opener from the band’s 1966 debut album showcases a standout example of Samwell-Smith’s fluid, freewheeling bass work

